日本夜伽話：撲倒太郎

★ 3.1 播放：10萬 更新：2026-05-01

暫無簡介

在線播放

劇情簡介

暫無簡介

導(dǎo)演精選

機(jī)械姬

　　效力于某知名搜索引擎公司的程序員加利·史密斯（多姆納爾·格利森 Domhnall Gleeson 飾）幸運(yùn)地抽中老板納森（奧斯卡?伊薩克 Oscar Isaac 飾）所開出的大獎(jiǎng)，他將受邀前往位于深山的別墅中和老板共度假期。在與世隔絕的別墅中，納森親切地接待了這位員工。 事實(shí)上他邀請(qǐng)加利到來還有另一個(gè)目的，那就是協(xié)助他完成其所開發(fā)的智能機(jī)器人的測試。天才一般的納森研制了具有獨(dú)立思考能力的智能機(jī)器人伊娃（艾麗西亞·維坎德 Alicia Vikander 飾），為了確認(rèn)她是否具有獨(dú)立思考的能力，他希望加利能為伊娃進(jìn)行著名的“圖靈測試”。似乎從第一眼開始，加利便為這臺(tái)有著宛如人類般姣好容顏的機(jī)器人所吸引?！　≡陔S后的交流中，他所面對(duì)的似乎不是冷冰冰的機(jī)器，而更像是一個(gè)被無辜囚禁起來的可憐少女……

精靈寶可夢(mèng)：去往超克的時(shí)空

 以成為神奇寶貝大師為目標(biāo)，小智（松本梨香 配音）、小剛（うえだゆうじ 配音）和小光（豊口めぐみ 配音）帶著各自的神奇寶貝在世界各地進(jìn)行艱苦的修業(yè)之旅，今天他們歷經(jīng)長途跋涉終于來到了風(fēng)景秀美的米琪亞鎮(zhèn)。在當(dāng)?shù)匾粚?duì)小兄妹的介紹下，小智一行前往神殿遺址游玩。誰知卻遭遇了極其危險(xiǎn)的情況。關(guān)鍵時(shí)刻，掌管時(shí)間的迪亞魯加和守衛(wèi)神殿的西娜（北乃きい 配音）、凱賓（岸祐二 配音）幫助了他們，能與神奇寶貝心靈溝通的西娜還熄滅了冥王龍的怒火。從西娜口中得知，創(chuàng)造了世界的神奇寶貝即將蘇醒，它不僅會(huì)使時(shí)空扭曲錯(cuò)亂，還將為世界帶來毀滅性的災(zāi)難…… 本片為神奇寶貝系列第十二部電影劇場版。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster