即刻觀影
劇情賞析
編輯推薦
勤雜工
大衛(wèi)·斯佩德A couple of border town friends think waiting tables will fix everything, but they're mistaken.
坐穩(wěn)車，泰欣娜
卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕這是一部寓言般，反浪漫的公路電影，男青年瓦爾特是個(gè)裁縫，每天幫著母親縫制衣服，可是他向往外面的世界，于是他乘著母親不備將母親鎖進(jìn)屋子并偷了母親的錢物找了一個(gè)哥們駕車兜風(fēng)，在路上遇見了來旅游的泰欣娜和其女友，他們四人結(jié)伴而行，沉默寡言的兩個(gè)男人和隨心所欲的兩個(gè)女人產(chǎn)生許多 戲劇沖突，他們一起住店，一起聽搖滾音樂會(huì)，折騰許久以后，瓦爾特決定回家，回家后他若無其事地坐回縫紉機(jī)邊繼續(xù)他的裁縫生涯，仿佛一切未曾發(fā)生過。
赤紅生死線
尼塔莎·吉拉尤吉恩,艾絲特·蘇普莉拉,Chutima Maholakul,托德薩蓬·邁蘇克,奔弘·奔提維此弓,寶哇麗·彭琵莫,阿卡那·凌米查,戴德·納塔南·昆瓦特三名女子淪為冷血電話詐騙的受害者。為了討回公道，他們決定對(duì)抗奪走他們金錢與尊嚴(yán)的犯罪網(wǎng)絡(luò)。
不可饒恕
薛景求,韓惠軫,柳昇范最近，城市里發(fā)生了可怕的殺人事件，一具被切割成6塊的女尸的曝光和兇手的逍遙法外引起了社會(huì)的恐慌。作為休假的交換條件，搜查科研究員姜民浩（薛景求 飾）接下了這個(gè)棘手的案件。行事雷厲風(fēng)行的他和推理天才閔瑞英（韓惠珍 飾）聯(lián)手，調(diào)查取得了突飛猛進(jìn)的進(jìn)展，嫌疑人李圣浩（ 柳承范 飾）的名字漸漸浮出水面?！ ±钍ズ埔唤?jīng)逮捕就對(duì)自己所犯的罪行供認(rèn)不諱，可是姜民浩卻發(fā)現(xiàn)事實(shí)并不是他所說的那么簡(jiǎn)單。就在這個(gè)節(jié)骨眼上，姜民浩的女兒突然失蹤，他明白這絕對(duì)和李圣浩脫不了干系。李圣浩告訴姜民浩，若想要得知女兒的下落，就必須和他玩一個(gè)解謎的游戲——解開他留在尸體上的謎題。一場(chǎng)以生命為籌碼的賭注開始了。
索命暹羅之按摩師
林保怡,袁百梓卉,高捷,黃愷杰,鈕蔚淇,高翔,葉勇莫蘭（袁百梓卉 飾）擁有著一段悲慘的童年，很小的時(shí)候，她就失去了母親，然而莫蘭始終都不知道母親究竟為什么會(huì)死，這場(chǎng)悲劇成為了莫蘭內(nèi)心里最大的謎團(tuán)和黑洞。時(shí)間一年一年的就這樣過去，一轉(zhuǎn)眼莫蘭便已經(jīng)長(zhǎng)成了亭亭玉立的少女，只是，她從未放棄過想要調(diào)查當(dāng)年事件真相的額念頭?！ ∫直ｂ?飾）是莫蘭的師叔，在泰國(guó)經(jīng)營(yíng)著一家按摩院。莫蘭千里迢迢遠(yuǎn)赴泰國(guó)尋找尹正，想要借助他的力量開始調(diào)查。哪知道來到泰國(guó)后，莫蘭的身邊開始接二連三的發(fā)生科學(xué)無法解釋的詭異事件，甚至還發(fā)生了命案，而這一切都和母親當(dāng)年的死因有著千絲萬縷的關(guān)聯(lián)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster