南方失樂(lè)園

看不見(jiàn)的客人

安妮·霍爾

 喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個(gè)人：非常介意自己的猶太人的出身；自認(rèn)為有童年陰影，看了十六年心理醫(yī)生沒(méi)見(jiàn)好轉(zhuǎn)卻一直付錢(qián)看；有點(diǎn)阿Q精神，但對(duì)人生卻充滿(mǎn)消極；喜歡一直講無(wú)聊的笑話。正因?yàn)樽陨淼纳窠?jīng)質(zhì)特質(zhì)，艾維經(jīng)歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢(mèng)想成為歌星的女孩，兩人漸漸墮入愛(ài)河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對(duì)她與艾維來(lái)往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

危情蜻蜓

出于對(duì)年邁鄰居艾爾西（布蘭達(dá)·布萊斯飾）所獲照料狀況的厭惡，科琳（安德麗亞·瑞斯波羅格飾）主動(dòng)提出免費(fèi)提供幫助。在茶敘與艱難時(shí)刻中，盡管存在差異，兩人成為了彼此信賴(lài)的知己。但科琳的意圖可能并非表面所見(jiàn)。隨著疑云漸起，一項(xiàng)駭人舉動(dòng)觸發(fā)了一場(chǎng)暴力的連鎖反應(yīng)，勢(shì)將無(wú)可挽回地改變這兩位女性的生活。