媽媽朋友的女兒

　　In the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　北川恵海人氣小說《不干了，我開除了黑心公司》電影化，成島出執(zhí)導(dǎo)，福士蒼汰主演，工藤阿須加、黑木華、小池榮子、吉田綱太郎等在片中出演。講述了青山隆在公司被壓迫精神壓力過大，但被朋友山本的活力感染又恢復(fù)了自信，但隆卻得知真正山本三年前就自殺了……

1840年鴉片戰(zhàn)爭(zhēng)爆發(fā)，英軍侵略軍攻破廣州，飽經(jīng)鴉片毒害的百姓活在至暗時(shí)刻。蕭崗士紳何玉成（嚴(yán)屹寬飾）受關(guān)天培之托囑，立志尋找時(shí)機(jī)保衛(wèi)廣州城。 故事從三元里村武館教頭劉三義（劉秋實(shí)飾）和其兄弟韋紹光（孫昊飾）企圖燒毀十三行碼頭的洋商躉船開始... 影片質(zhì)樸還原了三元里抗英這段鮮為人知的史實(shí)，用悲壯美學(xué)與歷史質(zhì)感交織的視聽講述了鴉片館血案的個(gè)人復(fù)仇，到牛欄崗生死戰(zhàn)的民族抗?fàn)帯Ｖ戮疵褡逑容?，?dāng)外侮侵犯時(shí)，每一個(gè)挺身而出的小人物，都是照亮民族暗夜的英雄。