即刻觀影
劇情賞析
編輯推薦
彈道無(wú)痕
趙巖松,陳大偉,王玉璋,劉大偉,魏琦根據(jù)徐貴祥同名小說(shuō)改編。 鐵匠的兒子石平陽(yáng)帶著父親的囑托參軍來(lái)到炮兵部隊(duì)。他的一股沖勁，受到營(yíng)長(zhǎng)莊必川的喜愛(ài)，老班長(zhǎng)李四虎更喜歡石平陽(yáng)不服輸?shù)膭蓬^。李四虎是技術(shù)尖子，他對(duì)新戰(zhàn)士訓(xùn)練十分嚴(yán)格，新戰(zhàn)士進(jìn)步很快。他把石平陽(yáng)視作接班人，要在自己退伍之前把經(jīng)驗(yàn)全部傳授給石平陽(yáng)，甚至以故意裝病，讓石平陽(yáng)獨(dú)立完成訓(xùn)練課目。石平陽(yáng)進(jìn)步很快，年終還榮立了三等功。和他一起入伍的女兵張媚對(duì)他也另眼看待。教導(dǎo)隊(duì)招收骨干，進(jìn)教導(dǎo)隊(duì)就能報(bào)考軍校，成為軍官。營(yíng)長(zhǎng)擔(dān)心比武缺了石平陽(yáng)影響成績(jī)，因此改派與石平陽(yáng)一同入伍的王北風(fēng)去了教導(dǎo)隊(duì)。機(jī)會(huì)得而復(fù)失，石平陽(yáng)有些想不通。父親去世了，指導(dǎo)員讓他回家料理，但他走到半路，想起父親的囑托，毅然返回連隊(duì)。李四虎復(fù)員了，石平陽(yáng)接任班長(zhǎng)，他把老班長(zhǎng)的好傳統(tǒng)全部繼承下來(lái)，愛(ài)兵、愛(ài)炮、愛(ài)部隊(duì)，技術(shù)精益求精。同時(shí)入伍的王北風(fēng)和張媚進(jìn)了軍校，石平陽(yáng)仍然當(dāng)班長(zhǎng)。排長(zhǎng)調(diào)走了，石平陽(yáng)任代理排長(zhǎng)，這時(shí)，他入伍已有八年。團(tuán)里為了留住他，讓他準(zhǔn)備報(bào)考軍校。就在這時(shí)，新戰(zhàn)士劉發(fā)展一封雖事出有因但嚴(yán)重失實(shí)的告狀信，使他又失去了上軍校的機(jī)會(huì)。石平陽(yáng)要復(fù)員了，副團(tuán)長(zhǎng)莊必川舍不得他離開(kāi)，從車(chē)站把他接回，團(tuán)黨委特別決定把他留下。石平陽(yáng)又回到排里，他對(duì)劉發(fā)展更嚴(yán)格、更耐心訓(xùn)練和要求，使劉發(fā)展深感內(nèi)疚。幾年后，參謀王北風(fēng)到部隊(duì)檢查工作，見(jiàn)到石平陽(yáng)仍是上士，不免生出許多感觸。在集團(tuán)軍的軍事演習(xí)中，石平陽(yáng)指揮火炮群的準(zhǔn)確射擊，令首長(zhǎng)和指揮員們贊嘆不已。石平陽(yáng)多年操縱的火炮由新式火炮取代了，他雖有些戀戀不舍，但他立即和戰(zhàn)友們開(kāi)始學(xué)習(xí)掌握新的火炮，迎接新的挑戰(zhàn)。不久，石平陽(yáng)被破格提拔為中尉連長(zhǎng)。
情棺
劉尚麟摸金校尉白術(shù)為拯救被逼與丞相之子秦庭至配陰婚的意中人蘇青，決定進(jìn)行招魂儀式，卻未曾想三人徹底陷入陰婚詛咒，身困三生三世的虐戀糾纏……
杰夫·羅斯：帶蕉上路
杰夫·魯斯在9月29日結(jié)束為期八周的有限活動(dòng)后，《香蕉騎行》據(jù)說(shuō)向羅斯展示了不同的一面，這是一場(chǎng)結(jié)合了喜劇、自傳體故事和音樂(lè)元素的更個(gè)人化、更發(fā)自內(nèi)心的表演。這部劇是關(guān)于慶祝生活、紀(jì)念損失和為生活中的意外事件做好準(zhǔn)備。
不道德的禮物
邱淑貞,鄭伊健,王敏德,李蕙敏,江華,陳輝虹,黎應(yīng)就羅雪兒（邱淑貞 飾）為人中規(guī)中矩，幫助父親經(jīng)營(yíng)公司，和男友的關(guān)系也是不冷不熱，最終被拋棄。 父親公司出現(xiàn)危機(jī)，苦思良策的雪兒與好友Sorry（李蕙敏 飾）到碼頭散心，巧遇癱瘓的富豪林樂(lè)山（江華 飾）。林樂(lè)山被雪兒吸引，長(zhǎng)年所患的性無(wú)能也似乎有了好轉(zhuǎn)。 林樂(lè)山之弟林樂(lè)水（鄭伊健 飾）決定利用這個(gè)機(jī)會(huì)幫助兄長(zhǎng)，于是找到雪兒與其簽下合同，答應(yīng)替其父還債。但前提是雪兒要做其兄一晚的情人。 雪兒在金錢(qián)的吸引下答應(yīng)，于是樂(lè)水找來(lái)帥Gay佬Honey（王敏德 飾）開(kāi)始對(duì)雪兒進(jìn)行勾引男人的訓(xùn)練……
愛(ài)情儲(chǔ)蓄罐
宋仲基,韓藝瑟,李相燁,申素率智雄（宋仲基 飾）大學(xué)畢業(yè)后便整日游手好閑。某天他認(rèn)識(shí)了從對(duì)面天臺(tái)跳過(guò)來(lái)?yè)炱孔拥墓峙思t實(shí)（韓藝瑟 飾）。守財(cái)如命的紅實(shí)盯上了智雄住所的搬遷費(fèi)，她暗中找到智雄的房東，把租房合同改到自己名下，令智雄無(wú)家可歸?？吹綄?duì)方依舊樂(lè)觀的樣子，受到觸動(dòng)的紅實(shí)承諾幫助他在短期內(nèi)攢到巨款。毫不知情的智雄對(duì)紅實(shí)的“善心之舉”懷抱感激。他開(kāi)始學(xué)習(xí)無(wú)條件聽(tīng)從紅實(shí)的命令，但是時(shí)常暴露的敗家本性又總會(huì)惹惱紅實(shí)?！ 〖t實(shí)雖然異常吝嗇，內(nèi)心深處卻也有著女人的夢(mèng)想。她把辛苦攢到的錢(qián)交給意中人（李相燁 飾）托管，期望有一天能成為配得上對(duì)方的好女人。卻不料一日意中人與情人攜款逃跑，令紅實(shí)深受打擊。而智雄也終于得知當(dāng)初無(wú)家可歸的內(nèi)幕，感到被利用的他是否會(huì)原諒紅實(shí)？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.