再生魔
別名:Black Magic Rites 為了讓自己心愛的女人復(fù)活,男主人公化身吸血鬼,尋找處女之心和眼,企圖在月圓之夜的儀式上讓心愛的她獲得永生。幾個(gè)年輕處女入住一座古老城堡,被迫參加儀式,她們是否能逃脫儀式的屠戮,心愛的那個(gè)女人是否能夠得到永生? 好難得好難得能看到這么好的片子了。1973年意大利的片子,題材宗教,表揚(yáng)風(fēng)格話劇,片中每一個(gè)女性角色都是那么的美麗,各種坦胸露乳矯首昂視很迷人。動(dòng)人的意大利語,幽深的古堡,加上古堡后面的雪山,還有那另人畏敬的宗教儀式。好喜歡那個(gè)在宴會(huì)中彈鋼琴的女子,還有那個(gè)無時(shí)不刻神經(jīng)兮兮的女子。。。
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劇情簡介
別名:Black Magic Rites 為了讓自己心愛的女人復(fù)活,男主人公化身吸血鬼,尋找處女之心和眼,企圖在月圓之夜的儀式上讓心愛的她獲得永生。幾個(gè)年輕處女入住一座古老城堡,被迫參加儀式,她們是否能逃脫儀式的屠戮,心愛的那個(gè)女人是否能夠得到永生? 好難得好難得能看到這么好的片子了。1973年意大利的片子,題材宗教,表揚(yáng)風(fēng)格話劇,片中每一個(gè)女性角色都是那么的美麗,各種坦胸露乳矯首昂視很迷人。動(dòng)人的意大利語,幽深的古堡,加上古堡后面的雪山,還有那另人畏敬的宗教儀式。好喜歡那個(gè)在宴會(huì)中彈鋼琴的女子,還有那個(gè)無時(shí)不刻神經(jīng)兮兮的女子。。。
同類好片
復(fù)仇:愛的故事
尼古拉斯·凱奇,安娜·哈徹森,特麗莎·貝特曼,黛博拉·卡拉·安格,唐·約翰遜,約書亞·米克爾,羅科·紐金特,喬·歐科特貝克,卡特·伯奇,夏琳·蒂爾頓,迪克蘭·圖萊尼,卡拉·弗勞爾斯,吉米·岡薩雷斯,科里·斯科特·艾倫,邁克·普涅夫斯基,凱蕾·里維拉,沙維爾·德克里,邁克爾·帕帕約翰手機(jī)有鬼
漢娜·霍克斯特拉,Isis Cabolet,羅伯特·德·霍格,Alex Hendrickx,馬菲積斯·范德桑德·巴庫曾,Patrick Martens,Gigi Ravelli,Harry van Rijthoven,麗莎·斯普斯,揚(yáng)容·斯皮森伯格,馬克·范·伊文他們之后的孩子
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Ian McCulloch,Louise Marleau,Marino Masé長春花園
趙胤熙,金周靈,許棟元,鄭仁謙野狼防衛(wèi)戰(zhàn)
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯人氣佳作
亡命競(jìng)速
Jason Park,Christopher Deon,Luka Dingess,Brandon Dunlap,Nadia Adelay,朱迪·阮,Oscar Rockwell鬼屋脫身
Jaclyn Betham,絲柯·泰勒-考普頓,蘭德里·阿爾伯特,萊恩·托冉,Noah Lowdermilk,Jamil Walker Smith,Lane Caudell,Ben Deschaine,Chrystopher Ryan Johnson,Kynsleigh Queen,Liz ZwiebelKING OF PRISM -Your Endless Call- 大~家一起閃耀!PRISM☆TOURS
寺島惇太,齊藤壯馬,畠中祐,八代拓,五十嵐雅,永冢拓馬,內(nèi)田雄馬,蒼井翔太,武內(nèi)駿輔,杉田智和,柿原徹也,前野智昭,增田俊樹,三木真一郎,關(guān)俊彥,森久保祥太郎,浪川大輔,中山咲月,山下誠一郎,小林龍之,土田玲央,河合健太郎,鵜澤正太郎,橘龍丸,浦田涉,天月,梶原岳人,田丸篤志,近藤隆,大橋賢一郎,岡本信彥絕命幽靈船
杰森·繆斯,理查德·雷西爾,Luke Guldan,Tyler Johnson導(dǎo)演精選
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
博格曼
Camiel Borgman突然出現(xiàn)在某個(gè)富有的郊區(qū),敲響了一戶小康之家的大門。他是誰?他代表夢(mèng)想、魔鬼、諷喻,還是代表了我們的恐懼?
冥界
前洛杉磯警察布雷特在保加利亞首都索非亞,擔(dān)任一棟舊公寓大樓的安保主管。布雷特很快發(fā)現(xiàn)了一股邪惡力量,打開了冥界與人類世界的大門……