入伍前夕
??暫無(wú)內(nèi)容3?暫無(wú)內(nèi)容?.暫無(wú)內(nèi)容???暫無(wú)內(nèi)容?暫無(wú)內(nèi)容?暫無(wú)內(nèi)容?暫無(wú)內(nèi)容???暫無(wú)內(nèi)容“??”???暫無(wú)內(nèi)容???暫無(wú)內(nèi)容???暫無(wú)內(nèi)容???暫無(wú)內(nèi)容????暫無(wú)內(nèi)容????暫無(wú)內(nèi)容?????暫無(wú)內(nèi)容‘??’.暫無(wú)內(nèi)容???暫無(wú)內(nèi)容???暫無(wú)內(nèi)容?暫無(wú)內(nèi)容??暫無(wú)內(nèi)容‘??’?,暫無(wú)內(nèi)容?????暫無(wú)內(nèi)容??暫無(wú)內(nèi)容???暫無(wú)內(nèi)容‘??’?暫無(wú)內(nèi)容???暫無(wú)內(nèi)容??暫無(wú)內(nèi)容????暫無(wú)內(nèi)容???.暫無(wú)內(nèi)容???暫無(wú)內(nèi)容???暫無(wú)內(nèi)容????.暫無(wú)內(nèi)容????暫無(wú)內(nèi)容‘??’?暫無(wú)內(nèi)容????暫無(wú)內(nèi)容???暫無(wú)內(nèi)容??暫無(wú)內(nèi)容??暫無(wú)內(nèi)容??暫無(wú)內(nèi)容????暫無(wú)內(nèi)容??暫無(wú)內(nèi)容??暫無(wú)內(nèi)容?暫無(wú)內(nèi)容???暫無(wú)內(nèi)容??暫無(wú)內(nèi)容??暫無(wú)內(nèi)容???暫無(wú)內(nèi)容??暫無(wú)內(nèi)容?????暫無(wú)內(nèi)容????.暫無(wú)內(nèi)容?暫無(wú)內(nèi)容??暫無(wú)內(nèi)容????暫無(wú)內(nèi)容‘??’暫無(wú)內(nèi)容??暫無(wú)內(nèi)容?????暫無(wú)內(nèi)容??暫無(wú)內(nèi)容????.
在線看
同款熱播
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
甜蜜的家2025
姜恩彬,盧仙禧,樸秀彬《甜蜜家園2025》1小時(shí)52分導(dǎo)演金弘益主演尹智淑宋承憲劉成敏
有朵云像你
屈楚蕭,王子文,王皓,何藍(lán)逗,黃毅,陳庭煜,吳彥姝,牛犇,余嘉誠(chéng)隨著雨季的臨近,人已埋、戶已銷的秦天(屈楚蕭 飾)居然“重生”歸來(lái),給了老婆蕭凡(王子文 飾)一個(gè)大大的驚喜,也給了周圍人猝不及防的驚嚇。面對(duì)這個(gè)記憶被清零,卻年輕八歲擁有八塊腹肌的“小奶狗”模樣的秦天,蕭凡決定先撩為敬。兩人在日復(fù)一日的甜蜜互動(dòng)中,曾經(jīng)緊密相連的心也再度同頻。這場(chǎng)奇跡似乎給了他們一次重新書寫愛情的機(jī)會(huì),倘若可以的話,真希望時(shí)間定格,雨不要?!?/p>
愛上平行時(shí)空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達(dá)·伊萬(wàn)諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫(kù)耶夫艾莉莎搬進(jìn)了圣彼得堡一間寬敞的公寓,公寓里的鏡子卻開始出現(xiàn)故障。它向這位年輕的房客展現(xiàn)了同一個(gè)公寓的平行世界,只不過,在這個(gè)平行世界里生活的不是艾麗莎,而是和她搶這間公寓的派對(duì)狂人伊萬(wàn)。這兩位年輕人能否認(rèn)清真愛?他們又能否讓兩個(gè)世界相連,在現(xiàn)實(shí)中相遇,只為簡(jiǎn)單地觸碰彼此?
猩球崛起3:終極之戰(zhàn)
安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當(dāng)思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達(dá)爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯凱撒(安迪·瑟金斯 飾)領(lǐng)導(dǎo)的猿族將被迫與殘暴的Colonel(伍迪·哈里森 飾)領(lǐng)導(dǎo)的人類軍隊(duì)上演一場(chǎng)生死大戰(zhàn)。猿族在戰(zhàn)斗中遭遇了前所未有的重創(chuàng),由此激發(fā)了凱撒內(nèi)心中黑暗的一面,心中燃起復(fù)仇的烈火。最終,凱撒與Colonel面對(duì)面進(jìn)行了一場(chǎng)關(guān)乎猿族和人類命運(yùn)的終極之戰(zhàn)。
北區(qū)偵緝隊(duì)
吉爾·勒盧什,卡里姆·萊克路,弗朗索瓦·西維爾,阿黛爾·艾克薩勒霍布洛斯,肯扎·福特斯,Cyril Lecomte,邁克爾·阿比特波,伊迪爾·阿祖格利,Vincent Darmuzey,讓-伊夫·貝特魯,Ka?s Amsis,富埃·納布拉,Abdellah Khoulalene,Ha?dy Khalil,Adel Boutouil,安娜伊斯·法布爾,吉爾伯特·特拉尼亞,安東尼薩?!そ芴K薩桑2012年,馬賽北部地區(qū)是全法國(guó)犯罪率最高的地區(qū)。在上級(jí)領(lǐng)導(dǎo)的壓力下,BAC Nord警隊(duì)不斷改進(jìn)工作方式。在高風(fēng)險(xiǎn)地區(qū),警察選擇改變工作手段,有時(shí)甚至?xí)竭^界限。直到有一天,法律形勢(shì)開始對(duì)他們變得不利……