野孩子

? 0.7 播放:29萬(wàn) 2026-04-29

影片取材自“流浪兄弟”真實(shí)事件,聚焦“社會(huì)困境兒童”群體。講述了?段“小偷”哥哥和“孤?”弟弟的流浪路,?場(chǎng)溫暖的守護(hù)與救贖。 獨(dú)自流浪生活的男孩馬亮(王俊凱 飾)機(jī)緣巧合下遇見(jiàn)了被家人遺忘、無(wú)人關(guān)照的孩子軒軒(關(guān)子勰 飾),相似的命運(yùn)讓兩個(gè)孤獨(dú)的少年漸行漸近,風(fēng)雨中他們一起建立了一個(gè)小小的家,擁抱取暖彼此守護(hù)。然而一場(chǎng)意外打破了一切,一群不速之客闖入了他們的生活,馬亮和軒軒的命運(yùn)又將何去何從……

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劇情提要

影片取材自“流浪兄弟”真實(shí)事件,聚焦“社會(huì)困境兒童”群體。講述了?段“小偷”哥哥和“孤?”弟弟的流浪路,?場(chǎng)溫暖的守護(hù)與救贖。 獨(dú)自流浪生活的男孩馬亮(王俊凱 飾)機(jī)緣巧合下遇見(jiàn)了被家人遺忘、無(wú)人關(guān)照的孩子軒軒(關(guān)子勰 飾),相似的命運(yùn)讓兩個(gè)孤獨(dú)的少年漸行漸近,風(fēng)雨中他們一起建立了一個(gè)小小的家,擁抱取暖彼此守護(hù)。然而一場(chǎng)意外打破了一切,一群不速之客闖入了他們的生活,馬亮和軒軒的命運(yùn)又將何去何從……

幕后花絮

英雄百夜

  講述一個(gè)女性主義童話(huà)故事,為《一千零一夜》的新編,聚焦兩個(gè)相愛(ài)的女人Cherry(麥卡·夢(mèng)露 飾)和Hero(艾瑪·科林 飾):Cherry與邪惡的男子Jerome(埃米爾·艾爾-馬斯里 飾)結(jié)了婚,Jerome與他的朋友、好色的惡人Manfred(尼古拉斯·加利齊納 飾)打賭,看Manfred能否在100晚之內(nèi)勾引Cherry,如果Manfred成功,Jerome就把城堡和Cherry送給他。對(duì)此毫無(wú)興趣的Cherry與她的女仆兼情人Hero策劃了一計(jì):在那100個(gè)夜晚,Hero將給Manfred講述一些吸引人的故事,讓Manfred從勾引計(jì)劃中分心。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.