猛鬼迫人

★ 8.2 播放：95萬 更新：2026-04-30

在東南亞流傳的降頭與毒咒有很多人都相信確有其事，且曾經(jīng)目睹，但本片并不探究其真實(shí)性，只求給各位官能的刺激，達(dá)到娛樂的效果。馬文彪是香港派往南洋交換服務(wù)的警探，帶隊(duì)破獲殺童祭神案，并當(dāng)場打死巫婆，巫婆臨死時(shí)說，要用血咒殺死彪全家，彪回港后雙腿突然風(fēng)癱，屢醫(yī)無效，此后鬼怪之事連串發(fā)生……（

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劇情簡介

在東南亞流傳的降頭與毒咒有很多人都相信確有其事，且曾經(jīng)目睹，但本片并不探究其真實(shí)性，只求給各位官能的刺激，達(dá)到娛樂的效果。馬文彪是香港派往南洋交換服務(wù)的警探，帶隊(duì)破獲殺童祭神案，并當(dāng)場打死巫婆，巫婆臨死時(shí)說，要用血咒殺死彪全家，彪回港后雙腿突然風(fēng)癱，屢醫(yī)無效，此后鬼怪之事連串發(fā)生……（

導(dǎo)演精選

妥瑞氏與我

　　本片根據(jù)社會(huì)活動(dòng)家約翰·戴維森的人生經(jīng)歷改編。他年少時(shí)被診斷出患有妥瑞氏綜合征，會(huì)不受控制地抽動(dòng)身體或口吐惡言。妥瑞氏綜合征迫使約翰與同齡人疏遠(yuǎn)，而他則不懈與這種鮮為人知的癥狀作斗爭，積極為妥瑞氏人群發(fā)聲。

動(dòng)物本能

　　在肉品工廠擔(dān)任經(jīng)理的安東尼，與美麗的嬌妻生了三個(gè)聰明伶俐的孩子，一家五口住在鄰近海邊的獨(dú)棟大房，日子過得愜意又舒適，直到一次意外昏倒，才被醫(yī)生診斷出腎臟出了毛病，必須靠洗腎才能維生?！　∫幌蚍罟胤ǖ陌矕|尼，深怕自己熬不住排隊(duì)等換腎的煎熬，決定偷偷向非法管道求援，在網(wǎng)上找到了一對愿意以腎臟交換大房子的無業(yè)情侶，正當(dāng)他下定決心要砸下重金來拯救自己生命之時(shí)，他原本幸福美滿的生活，也隨著器官交易背后的層層危機(jī)，漸漸脫序崩毀...

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster