柏拉圖的電影 plato's the movie (1980)

27歲的由嘉里沉迷于擬人化燒肉漫畫《肉即吾命》，卻始終無法接納真實(shí)的自己。面對(duì)朋友們紛紛步入婚姻與家庭，她感到焦慮與孤獨(dú)，嘗試通過相親改變現(xiàn)狀，卻屢遭不順，醉倒在歌舞伎町街頭。此時(shí)，她被陪酒女萊伊救起，兩人由此展開一段微妙的關(guān)系。隨后，由嘉里又結(jié)識(shí)了已婚男公關(guān)朝日，三人各自背負(fù)著不同的生活壓力，卻在彼此陪伴中逐漸找到歸屬與勇氣。                                                                      　　影片改編自金原瞳撰寫的同名小說。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　一項(xiàng)革命性的人類基因研究計(jì)劃，為預(yù)防疾病與犯罪帶來了莫大幫助，身為研究員的一份子，希歐多不但致力于生命的發(fā)展與延續(xù)，還有個(gè)能預(yù)知他人死亡的特殊能力。不過這次他的能力卻陰錯(cuò)陽差害死了自己的女友安娜，內(nèi)疚不已的希歐多以悲傷度日，直到一個(gè)月過去，安娜竟又活生生地出現(xiàn)在他面前？

　　程家少爺程亦鵬（范冬雨 飾）癡迷武術(shù)，程父試圖用婚姻約束其行為，程亦鵬遂決定遠(yuǎn)上少林做俗家弟子，如此既可躲避習(xí)武力強(qiáng)的未婚妻小翠，又能學(xué)習(xí)少林功夫，在與心上人小晴（何晴 飾）話別后，亦鵬奔赴少林。然而師父恒德（趙小銳 飾）日日只是讓一班俗家弟子做苦工，不肯教授少林功夫，師兄弟們雖不滿卻也無可奈何，加之小晴在少林附近落腳，程亦鵬和師兄弟們學(xué)著用各種方法苦中作樂。曾經(jīng)被逐出少林的一游俠在遍訪名師后，意欲挑戰(zhàn)少林，以報(bào)當(dāng)年未學(xué)到武功之恨，程亦鵬等俗家弟子被游俠多次毆打，恒德欲同游俠較量反被方丈關(guān)入藏經(jīng)閣。程亦鵬經(jīng)過苦工打熬，終有習(xí)武資格，在恒德指點(diǎn)下向游俠一雪前恥……