九尾玉面狐
千年修行九尾玉面狐變成錢府丫環(huán)蓮香,極力賣弄風(fēng)騷,勾引周公子,以采陰補(bǔ)陽(yáng),充實(shí)真元來(lái)助自己煉丹。周公子被蓮香美色吸引,重色輕友,整天沉溺美色,以致元?dú)獗M失。表姐風(fēng)香告誡蓮香,人妖殊途,不要貪圖一時(shí)之快而將千年道行毀于一旦。蓮香因芳心暗動(dòng),依然我行我素,致使周公子危在旦夕。劉半仙算命相面,逐鬼捉妖,樣樣全能,聯(lián)合修行千年的紫玉老狐,救出周公子,降服了作惡多端的玉面九尾狐,割掉了她的尾巴,廢掉了她的修行。九尾玉面狐雖幻化大人,但還是逃不脫被捉的命運(yùn)。
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暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. Holt民國(guó)驚魂錄
郝普,陳凱欣,曹璐告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛(ài),蘆田愛(ài)菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹(shù),能年玲奈,新井浩文,野本螢聯(lián)合艦隊(duì)司令長(zhǎng)官:山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥我們埋葬死者
黛西·雷德利,布倫頓·思韋茨,馬克·科爾斯·史密斯,馬特·惠倫,Chloe Hurst,金姆·杰克遜,Dan Paris,Deanna Cooney,Nicola Bartlett,Kim Fleming,Kingsley Judd,Salme Geransar,Elijah Williams,Luke Jai,Megan Hollier,Steve McCall,大衛(wèi)·佐納,Matthew Parkin,Jimmy Duncan,Bruce Denny昭和殘俠傳
高倉(cāng)健,池部良,三田佳子同類推薦
無(wú)名之町
福山雅治,有村架純,成田凌,生田繪梨花,木村昴,森永悠希,秋山寬貴,犬飼貴丈,岡崎紗繪,森崎溫,丸山智己,濱田麻里,伊藤淳史,生瀨勝久,仲村亨退休中學(xué)教師神尾英一被人殺害,即將于兩個(gè)月后結(jié)婚的女兒神尾真世(有村架純 飾)在得知父親突然離世的消息后,返回了自己的家鄉(xiāng)。然而,這座小鎮(zhèn)自疫情蔓延以來(lái),已失去了往日的活力,游客稀少,氣氛沉寂。深受學(xué)生們愛(ài)戴的教師英一,究竟為何遭人殺害?渴望揭開(kāi)真相的真世面前,出現(xiàn) 了一位神秘的男子——她的叔叔神尾武史(福山雅治 飾),一位曾在拉斯維加斯享譽(yù)盛名的前魔術(shù)師…… 本片改編自東野圭吾的同名小說(shuō),講述了主人公以觀察人類和誘導(dǎo)審問(wèn)為武器,和侄女一起解決疑難事件的故事。
牙狼大河
北田祥一郎,神嶋里花,波岡一喜,ひょうろく,肥後克広,瀨戶利樹(shù),影山浩宣,大西雅樹(shù)出生于繼承“黃金騎士GARO”稱號(hào)的魔戒騎士家族的冴島大河,繼承了黃金鎧甲,終日與魔獸霍拉戰(zhàn)斗著。某天他接到指令,要求奪回被霍拉·蛇道奪走的魔導(dǎo)具“羅盤”。羅盤中封存著守護(hù)人類,掌管著人界的安寧的青龍、朱雀、玄武、白虎的四圣獸之魂。大河與侍奉圣獸祠堂的魔戒導(dǎo)師·吹奇一同挺身而出,誓要奪回羅盤......
異形:奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛(ài)玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間,圍繞一群年輕而勇敢的太空殖民者展開(kāi)。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活,在冒險(xiǎn)探索一座廢棄的太空站時(shí),意外遭遇了宇宙中最可怕的生命體——異形。 狹窄幽暗、危機(jī)四伏的空間站中,大逃殺的序幕已經(jīng)被無(wú)情拉開(kāi),人類再次成為異形生物捕獵的目標(biāo)。在無(wú)盡的黑暗與死亡威脅的籠罩之下,太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間,察覺(jué)到未知生物潛伏的絲絲寒意?在這場(chǎng)你死我活的追逐戰(zhàn)中,他們將直面怎樣的信任挑戰(zhàn)和道德掙扎?當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬,求救無(wú)門的他們究竟能否在這場(chǎng)太空殺戮中尋得一線生機(jī)?
怪形
庫(kù)爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛(wèi)·科列儂,凱斯·大衛(wèi),理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德1982年冬天,挪威科考隊(duì)的一架直升機(jī)突然打破了南極大陸的平靜,直升機(jī)瘋狂的追逐一只雪橇犬,最后墜毀在美國(guó)科考營(yíng)地的附近。美國(guó)科考隊(duì)員對(duì)挪威考察隊(duì)近期人員驟減的情況有所耳聞,于是飛行員麥克(Kurt Russell 飾)與眾人趕赴挪威營(yíng)地,結(jié)果看到的是一地破敗中四處散落著奇怪的尸體,并有證據(jù)表明挪威人得到了某種冰封狀態(tài)中的生物。醫(yī)生布萊爾(Wilford Brimley 飾)研究了尸體的變異卻無(wú)法破解成因。當(dāng)晚,犬籠中的狗遭到襲擊并發(fā)生了變異,一種不可知的生物正在這孤寂的南極大陸威脅著科考隊(duì)員們的生命…… 本片翻拍自1951年由霍華德?霍克斯指導(dǎo)的《The Thing From Another World》。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.