女教師日記 被禁止的性
安達(dá)充(川名浩介暫無內(nèi)容飾)是一個(gè)正在讀高三的學(xué)生,他學(xué)習(xí)優(yōu)秀,容貌清秀,不過因性格內(nèi)向鮮少朋友。充的心中藏著不為人知的秘密,他深深愛戀著自己的級(jí)任老師堀田紀(jì)子(大竹一重暫無內(nèi)容飾)。這份感情無法自已,他甚至經(jīng)常打去匿名電話向老師表達(dá)愛意。然而紀(jì)子對(duì)這樣的騷擾不勝其煩,此外她早已和同校的體育老師森本(沖田浩之暫無內(nèi)容飾)相愛,情深意篤。目睹了紀(jì)子與森本約會(huì)并歡愛的場(chǎng)景,充心中倍感痛苦。另一方面,暗戀充的同班女孩矢崎由美(澤木麻美暫無內(nèi)容飾)與好友們打賭,設(shè)計(jì)引誘森本。此舉令森本和紀(jì)子的關(guān)系出現(xiàn)裂痕,而充則借此走入夢(mèng)中情人的心房。一段充滿哀傷氣息的禁忌之戀由此展開……
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葉甫蓋尼·奧涅金
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
破壞欲
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噴火女郎
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無效郵件
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死亡修女
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