米婭
Mia暫無內(nèi)容recounts暫無內(nèi)容her暫無內(nèi)容most暫無內(nèi)容intimate暫無內(nèi)容confessions,暫無內(nèi)容uncensored,暫無內(nèi)容in暫無內(nèi)容her暫無內(nèi)容first暫無內(nèi)容approach暫無內(nèi)容to暫無內(nèi)容a暫無內(nèi)容totally暫無內(nèi)容new暫無內(nèi)容world暫無內(nèi)容of暫無內(nèi)容domination暫無內(nèi)容and暫無內(nèi)容submission.
即刻觀影
劇情賞析
編輯推薦
當邪惡潛伏時
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro一對兄弟在他們的莊園附近發(fā)現(xiàn)了一具殘缺不全的尸體，于是召集當?shù)厝艘黄鹫{(diào)查。他們很快了解到，村子里發(fā)生的怪事是由一個惡靈引起的，這個靈魂進入了一個當?shù)厝说捏w內(nèi)，他們等待著通過適當?shù)某绦蝌?qū)逐他體內(nèi)潰爛的惡魔。主角們不得不與迫在眉睫的危險賽跑，試圖擺脫惡靈無情的魔爪。
大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭選太子妃，蘭心本有所愛，卻不得不進到太子府，因為才華出眾，深得皇太子和紀淑妃的喜愛，蘭心被嫉妒和排擠，在太子府里受盡磨難！ 其實一切陰謀都是秀女姚芊芊設(shè)計的，姚芊芊是萬貴妃的人，自己參選秀女就是為了接近太子，協(xié)助萬貴妃鏟除太子，雖然她心中也另有所愛，但不得不去爭選太子妃，鏟除一切阻礙自己當上太子妃的秀女?！ ∫奋废莺μm心通奸，差點害的蘭心被賜死，關(guān)鍵時刻蘭心被梅兒所救。幾日后公布太子妃人選之時，紀淑妃為了顧全大局，還是讓姚芊芊當上了太子妃，姚芊芊十分痛苦內(nèi)心掙扎，蘭心、梅兒、金碧瑤當上側(cè)妃，大家各懷念想……。
格拉德貝克人質(zhì)事件
薩沙·亞歷山大·吉爾薩克,亞歷山大·謝爾,Marie Rosa Tietjen,阿爾布雷希特·舒赫故事發(fā)生在1988年的德國，漢斯（薩沙·亞歷山大·吉爾薩克 Sascha Alexander Ger?ak 飾）和迪特（亞歷山大·吉爾 Alexander Scheer 飾）搶劫了位于北威州格拉德貝克的德意志銀行，并且劫持了兩名銀行職員作為人質(zhì)，帶著他們一起踏上了逃往的旅途?！ 『芸欤撠煷税傅倪~澤警探就展開了對于漢斯一行人的追捕。為了鉗制警方，漢斯的女友瑪麗昂（Marie Rosa Tietjen 飾）又劫持了一輛載有三十名乘客的公交車，來幫助男友脫離警方的追捕。因為歹徒手中的人質(zhì)數(shù)量眾多，導(dǎo)致德國警方遲遲無法下手，引來了輿論和媒體的不滿，與此同時，迪特在一次意外中射殺了年僅14歲的少年曼紐埃爾，這場死亡事件將整個故事推上了高潮。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
光榮何價
大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達·狄龍這部電影是伍迪·格斯的優(yōu)秀傳記，他是美國最偉大的民謠歌手之一。他在上世紀30年代離開了自己位于得克薩斯州的家，去找工作，發(fā)現(xiàn)了美國工人階級的苦難和力量。
可怖之事
蘇菲·特納,基特·哈靈頓,馬西婭·蓋伊·哈登,勞倫斯·歐弗林,喬納森·霍華德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard故事發(fā)生在中世紀的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會邊緣掙扎求生。然而，當安妮過去的一位故人從戰(zhàn)場歸來，一位神秘騎士的出現(xiàn)似乎預(yù)示著詛咒的降臨，并威脅著她們所有人的命運。