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阿爾瑪與狼
伊?！ざ鞑祭?李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達(dá)娜·米利肯,Kevin Allison,Lukas Jann以俄勒岡州海岸為背景，陷入困境的警官倫·阿科德調(diào)查一起神秘的狼襲擊事件。當(dāng)他關(guān)系疏遠(yuǎn)的兒子在案件中失蹤時(shí)，事情嚴(yán)重起來(lái)。
動(dòng)物本能
古勒莫·法蘭塞拉,卡拉·彼德森,Gloria Carrá,馬塞洛·索比奧托在肉品工廠擔(dān)任經(jīng)理的安東尼，與美麗的嬌妻生了三個(gè)聰明伶俐的孩子，一家五口住在鄰近海邊的獨(dú)棟大房，日子過(guò)得愜意又舒適，直到一次意外昏倒，才被醫(yī)生診斷出腎臟出了毛病，必須靠洗腎才能維生?！ ∫幌蚍罟胤ǖ陌矕|尼，深怕自己熬不住排隊(duì)等換腎的煎熬，決定偷偷向非法管道求援，在網(wǎng)上找到了一對(duì)愿意以腎臟交換大房子的無(wú)業(yè)情侶，正當(dāng)他下定決心要砸下重金來(lái)拯救自己生命之時(shí)，他原本幸福美滿的生活，也隨著器官交易背后的層層危機(jī)，漸漸脫序崩毀...
深淵未遠(yuǎn)
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber飽受折磨的隱士?jī)?nèi)維亞與神秘莫測(cè)的陌生人芙蕾雅，開啟了一段風(fēng)景如畫的公路旅行，卻失控陷入混亂。在竭力逃離過(guò)往的過(guò)程中，她們的友誼在每一次轉(zhuǎn)彎處接受考驗(yàn)——而所有道路都指向一個(gè)令人震驚的真相。
開心鬼撞鬼
黃百鳴,張曼玉,袁潔瑩,陳加玲,徐克,曹查理生前是過(guò)氣女歌星的女鬼徐半香（張曼玉），算準(zhǔn)某名將要臨盆的孕婦會(huì)于某間醫(yī)院生產(chǎn)，準(zhǔn)備投胎重新做人，不想，該孕婦被搖身變作某所高中教師的開心鬼（黃百鳴）送錯(cuò)醫(yī)院，徐半香錯(cuò)過(guò)投胎時(shí)機(jī)?！ 樾剐念^之恨，徐半香開始想方設(shè)法捉弄開心鬼，最甚一次，她附身開心鬼班里女班長(zhǎng)（袁潔瑩），令她跑到夜總會(huì)稀里糊涂地大鬧了一場(chǎng)，結(jié)果在該家夜總會(huì)尋歡作樂(lè)的一群流氓被抓，開心鬼受到無(wú)辜牽連，徐半香又得意又擔(dān)憂之時(shí)，開心鬼卻用愛(ài)來(lái)感化她，眼看皆大歡喜，出獄后的流氓不請(qǐng)自來(lái)。
夢(mèng)鄉(xiāng)2019
芬恩·科爾,瑪格特·羅比,崔維斯·費(fèi)米爾,凱瑞·康頓,達(dá)比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內(nèi)特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什這部新片名為《夢(mèng)鄉(xiāng)》（Dreamland），由曾在圣丹斯電影節(jié)摘得評(píng)審團(tuán)特別獎(jiǎng)的導(dǎo)演Miles Joris-Peyrafitte執(zhí)導(dǎo)。故事背景設(shè)定在20世紀(jì)30年代的美國(guó)，經(jīng)濟(jì)蕭條和沙塵暴肆虐著美國(guó)的普通百姓，一個(gè)15歲的男孩為了高額的賞金開始漫漫追捕路，他的目標(biāo)正是瑪歌特·羅比飾演的女劫匪。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.