劇情簡介
丁佩以自己的角度，把功夫影帝李小龍生前一切的第一手事實(shí)，毫無保留地公諸于世，包括她如何認(rèn)識(shí)李小龍，及重逢后如何發(fā)展成可以傾訴肺腑之言的紅顏知己。究竟李小龍與丁佩在私生活中，是纏綿的愛情、抑或純潔的友誼，在銀幕上自有說明。而全片最珍貴的部分，當(dāng)然是對(duì)李小龍死因的交代。
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追惡
釋小龍,王真兒,劉峰超,劉怡潼山村拐賣猖獗，警察池峰孤身潛入尋兇，地窖救人、村民暴動(dòng)、夜總會(huì)血戰(zhàn)，誓要以暴制暴守衛(wèi)法律公道。
飛蛾日記
莎拉·伯格,莎拉·加頓,莉莉·科爾,斯科特·斯比德曼美麗女孩蕾貝卡（莎拉·博格 Sarah Bolger 飾）是一家女子教會(huì)寄宿學(xué)校的學(xué)生，開朗熱情的她在學(xué)校結(jié)識(shí)了許多好朋友，其中金發(fā)女孩露西（莎拉·戈登 Sarah Gadon 飾）與之關(guān)系最為融洽。二人形影不離，無話不說，親密無間。新學(xué)期伊始，高挑冷艷的恩妮莎（莉莉·科爾 Lily Cole 飾）轉(zhuǎn)入她們的學(xué)校。恩妮莎那妖媚的神秘氣息令蕾貝卡備感不適，可是露西似乎對(duì)其頗有好感，二人越走越近。與此同時(shí)，恩妮莎似乎也勾起蕾貝卡深埋心中的不堪回憶。這個(gè)恍如從哥特恐怖小說中走出來的女子，究竟藏著怎樣的秘密…… 本片根據(jù)Rachel Klein 同名暢銷科幻恐怖小說。
鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya SrithaMay 是一名年輕的建筑師，她剛剛和男朋友 Gun 搬進(jìn)了郊區(qū)的新家，就收到了繼母 Po 的死訊。只有 Po 的女兒 Noon 作證說有人殺害了她的母親，但是似乎沒有任何明顯的證據(jù)。當(dāng) May 決定在家照顧 Noon 時(shí)，Noon 出現(xiàn)了異常癥狀，就像被鬼附身一樣。而 May 自己則因生病而開始無法入睡。Gun 于是請 Chok、Sak 和 Master Khom 來幫忙。Master Khom 立刻意識(shí)到她的房子里有過去的“黑魔法”，他要求所有人找出這種邪惡的根源。過去與大師的面部皮膚有關(guān)的不幸事件被同一門派的另一位弟子 Jong Master 移除，這就是所有這些恐怖故事的根源。
太空異種2026
魏璐,林妍柔,柳揚(yáng),王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡未來世界，在一艘名為“蒼穹號(hào)”的飛船上，船長梁承天帶領(lǐng)著船員們經(jīng)常在星際之間從事采集礦物質(zhì)的買賣，以此來獲得巨大的經(jīng)濟(jì)利益。雖然他們在多次采集過程中偶爾會(huì)遇到危險(xiǎn)，但最終也都能安全返航。 直到這次，梁承天帶著船員們在銀河系中，意外找到一顆六千萬年前爆炸的超新星，他們在附近采集到了稀有的礦物質(zhì)，從而能獲得巨額利益?？梢蚶娣峙洳痪鲬研氖碌拇瑔T們就此踏上返航之旅。 在返航途中“蒼穹號(hào)”意外接到了一組未知的求救訊號(hào)。他們成功救下了“創(chuàng)世紀(jì)號(hào)”的生物學(xué)家林修遠(yuǎn)和他的妻子Angel，而梁承天在救援的過程中也意外受傷。
噪聲
李先彬,金玟錫,全益玲,劉慶秀有聽力障礙的珠英（李先彬 飾），與妹妹珠憘（韓秀娥 飾）終于買下夢寐以求的新房，卻沒想到噩夢才正要開始?！ ∧程炱穑閼傞_始被來自公寓某處的神秘噪音折磨得身心俱疲。那讓人不耐的樓層噪音，不僅讓她無法安睡，更像是潛藏某種黑暗秘密的警告。正當(dāng)珠英離家工作時(shí)，珠憘突然失蹤，讓驚慌失措的珠英立刻趕回家，并與珠憘的男友基勛（金珉錫 飾）聯(lián)手追查真相。同時(shí)，住在樓下的神秘男子（柳炅秀 飾）也長期受噪音困擾，認(rèn)定一切都源于樓上的這對(duì)姊妹，讓他情緒逐漸崩潰，揚(yáng)言要對(duì)她們痛下殺手…… 真相究竟藏在誰的耳中？噪音背后，又是誰的瘋狂正在近逼？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
新年伊始 不合適也要有個(gè)限度！～不能認(rèn)真聊聊嗎？～
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優(yōu)實(shí),錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太2026年新年，渚（仲里依紗 飾）在咖啡店“SCANDAL”迎來意外訪客——從昭和穿越而來的市郎（阿部隆史 飾）。借助井上（小野武彥 飾）研發(fā)的“時(shí)間隧道”，他們得以往返各個(gè)時(shí)代。市郎試圖改變女兒純子（河合優(yōu)實(shí) 飾）與命運(yùn)的相遇，又回到1995年地震前夕阻止悲劇，卻引發(fā)新的漣漪。與此同時(shí)，渚卷入政治風(fēng)波，支持的女性議員平純子（江口德子 飾）在2036年竟將成為日本首位女首相。為了守護(hù)家人與未來，市郎踏上最后的時(shí)空冒險(xiǎn)。