丘陵谷仙女的密室誘惑

西區(qū)故事

 電影改編自1957年的百老匯音樂劇，講述了20世紀50年代紐約街頭的“噴氣機幫(Jet)”和 “鯊魚幫(Sharks)”之間的爭斗，以及分屬不同幫派的“苦命鴛鴦”托尼（安塞爾·埃爾格特 飾）和瑪麗亞（瑞秋·齊格勒 飾）的愛情。

肖菲勒

陌生人：第三章

 在系列終章中，幸存者們將面對蒙面陌生人的新威脅。隨著秘密浮出水面，現(xiàn)實與危險的界限逐漸模糊，他們的生存之戰(zhàn)也愈發(fā)兇險。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

愛情背叛

一場車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個沒有母親的家庭。隨著調查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉折。

跟我○○○就能紅

地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。

地球浩劫

　　After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?