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超能計劃
杰米·?？怂?約瑟夫·高登-萊維特,多米尼克·菲什巴克,羅德里戈·桑托羅,考特尼·萬斯,艾米·蘭德克,機(jī)關(guān)槍凱利,泰特·弗萊徹,阿倫·馬爾多納多,安德烈·沃德·哈蒙德,可亞娜·西蒙妮·辛普森,C.J.勒布朗,CG劉易斯,約瑟夫·波利昆,雅茨·德·利瑟爾,凱西·奈斯泰德,珍妮特·羅斯·阮,吉姆·克洛克,喬恩·阿茲,戴恩·羅茲,懷爾德·韋恩,賈斯汀·賈木什,戈登·德克海默,盧克·霍克斯,小彼得·詹梅斯,托尼·查普曼·斯蒂爾,約書亞·薩達(dá)索在新奧爾良的街道上，關(guān)于神秘新藥丸的消息開始傳播開來，這種藥丸可以解鎖每位使用者獨(dú)特的超能力。但問題是：在服用之前，沒人知道用藥后會發(fā)生什么。一些人會進(jìn)化出防彈皮膚、隱形能力和超強(qiáng)力量，也有很多人會表現(xiàn)出更致命的反應(yīng)。但是，當(dāng)藥丸使城市內(nèi)的犯罪升級到危險水平時，當(dāng)?shù)鼐欤s瑟夫·高登-萊維特飾）與一名少女小販（多米尼克·菲什巴克飾）和誓報私仇的退伍士兵（杰米·福克斯飾）聯(lián)手以硬碰硬，他們冒著服用藥丸的風(fēng)險，以追蹤并制止制造出該藥丸的團(tuán)隊(duì)。
逆轉(zhuǎn)上半場
梁詠琪,陳湛文,凌文龍,梁雍婷,朱栢康,陳輝虹人生勝利組希文靠自己努力，打敗99.9%香港人，卻因誤信朋友面臨破產(chǎn)邊緣。由深水灣搬到深水埗，勢要在短時間內(nèi)極速債務(wù)重組，一日未認(rèn)輸一日都未輸！得知天真富二代正籌組足球聯(lián)賽，剛好同房表妹閑時會在街場與幾個小嘍啰踢波追夢，有乜比基層追夢更追夢。當(dāng)然一波會有三折，到底希文與五個小孩又會如何踢出精彩的一局呢？典型格局非典型救贖，久違的溫情港產(chǎn)喜劇，笑聲笑聲滿載溫馨，注入我體內(nèi)，大小演員個個賣力演出，演活擅打逆境波的港人故事。
鬼府神工
勞倫·拉維拉,Claudio Nathan Brezzi,雅辛·法德爾,Peppe Fonzo,Gianluigi Galvani,Melanie Gaydos,克勞迪亞·杰里尼,Jonathan Dylan King,Elisabetta Klein,喬瓦尼·隆巴多·雷迪斯,Stefano Martinelli,丹妮絲·麥克尼,Maria Grazia Ortesani,Courage Osabohine,Tony Pandolfo,洛倫佐·倫茲,Nicolo Viridi,Linda ZampagliA budding art restorer travels to a small Italian village to bring a medieval painting back to its former glory. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
合唱團(tuán)2025
拉爾夫·費(fèi)因斯,羅杰·阿拉姆,西蒙·拉塞爾·比爾,阿瑪拉·奧凱雷克,托馬斯·豪斯,艾米莉·費(fèi)爾恩,雅各布·杜德曼,Taylor Uttley,內(nèi)森·霍爾,魯本·班布里奇,Ellie Sager1916年，第一次世界大戰(zhàn)在西線激烈進(jìn)行，約克郡拉姆斯登的合唱協(xié)會失去了大部分男性成員，他們都應(yīng)征入伍了。雄心勃勃的委員會決心繼續(xù)前行，決定招募本地的年輕男性來填補(bǔ)隊(duì)伍空缺。同時，他們還必須聘請一位新的合唱指揮，最有希望的人選是亨利·格思里博士（拉爾夫·費(fèi)因斯 飾）——一個意志堅(jiān)定、毫不妥協(xié)、剛從德國音樂生涯歸來的男人。隨著征兵通知陸續(xù)送達(dá)，全社區(qū)的人逐漸意識到，在戰(zhàn)爭摧毀一切的混亂中，最有力的回應(yīng)就是：一起奏響音樂。
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀(jì)80年代發(fā)丘傳人賈凡（戴向宇 飾）利用祖?zhèn)髅匦g(shù)智斗摸金校尉吳老大（杜奕衡 飾）守護(hù)發(fā)丘老祖之墓的熱血故事，表現(xiàn)了邪不壓正的主題思想。