荷蘭名畫

4.6 播放:51萬 更新:2026-04-25
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荷蘭名畫

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荷蘭名畫

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克里斯蒂

西德尼·斯維尼,本·福斯特,梅里特·韋弗,凱蒂·M·奧布萊恩,托尼·卡瓦勒羅,伊桑·恩布里,查德·科爾曼,杰西·加伯,邁爾斯·穆森登,比爾·凱利,阿爾特·紐柯克,史蒂芬妮·鮑爾,考特妮·格蕾絲,凱文·J·奧康納,阿德里安·洛克特,阿里莎·康納,科爾曼·佩迪戈,布萊恩·希巴德,塔瑪拉·霍普金斯,斯蒂芬·羅亞爾·菲利普斯

  影片講述美國著名拳擊運動員、“女洛奇”克里斯蒂·馬丁的故事??死锼沟賮碜悦绹鞲ゼ醽喼菪℃?zhèn)一個相對保守的家庭,當(dāng)時她作為一個年輕的女同性戀者不被允許做自己,所以用拳擊作為表達自己和憤怒的工具。她必須在生活中做出一些危險而根本的妥協(xié),其中最嚴(yán)重的是嫁給一個極其危險的男人?! ?989年,馬丁遇到了她的經(jīng)紀(jì)人、后來的丈夫吉姆·馬丁,生活發(fā)生了轉(zhuǎn)變。她打破界限,成為第一個與金牌拳擊推廣人唐·金簽約的女性,也是唯一一個登上《體育畫報》封面的女拳擊手。  克里斯蒂的魅力、漂亮外表和對賽場的適應(yīng)為她贏得了狂熱的粉絲群,并推動她成為次中量級冠軍。但在精心塑造的公眾形象背后,她面臨著個人內(nèi)心的惡魔、有毒的人際關(guān)系以及一次致命的謀殺事件。

愿大家擁有幸福

古川琴音,松大航也,橋本和雄

  本作は田舎に住む祖父母に會いに行く看護學(xué)生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。

在魔鬼門前

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  一幢待售的房子,交到了年輕的女房產(chǎn)經(jīng)紀(jì)莉手上,她在房里發(fā)現(xiàn)了一個精神有些異樣的女孩,她以為那是前任房主離家出走的女兒,便想伸出援手,誰知女孩似乎被一種超自然的力量控制,莉和她的藝術(shù)家姐姐薇拉,都難逃她的魔掌…

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

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