即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
萇山虎
廉晶雅,樸赫權(quán),申隣雅,李俊赫,方柔雪,許真,李律,李在恩熙璉（廉晶雅飾）的兒子俊敘在首爾走失了，傷心欲絕的她帶著失憶的婆婆回到老家萇山休養(yǎng)，希望婆婆能早點想起俊敘是怎么失蹤的。有一天，熙璉在萇山附近的洞穴遇見一個衣衫襤褸的神祕女孩，或許是同情憐憫，或許是空虛寂寞，熙璉將女孩帶回家，打算在找到無名女孩的父母之前照顧她。兩人日漸親近，漸漸地女孩變得好像熙璉的女兒一樣，她喊起熙璉「媽媽」，還叫自己「俊?！?，容貌與音聲越來越像消失無蹤的「俊敘」。神秘女孩到來之后，陸陸續(xù)續(xù)發(fā)生難以理解的怪事，熙璉的婆婆先是幻聽，然后還被傳說中棲息在萇山洞穴的妖物擄走……熙璉能夠找回兒子俊敘嗎？破碎的一家能在妖怪陰影之下再度團圓嗎？
靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語喬前世將軍養(yǎng)女與兄長因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛上舊人之子，在宿命糾葛下開啟極致人妖虐戀。
大明嬪妃之爭寵
宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍大婚之夜，太子獨自喝醉，留下姚芊芊盛裝獨坐到天亮。太子本宣蘭心侍寢，卻傳來畫室失火的消息，太子走后，蘭心因為擔(dān)心張清遠也尾隨而去，卻被張清遠告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯誤時間，致使蘭心在雪中凍了一夜，被太子發(fā)現(xiàn)救回?！ ∫奋犯嵸F妃抱怨遭冷落，正逢三皇子前來，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時間宣布自己有孕?！ 〗鸨态幰虮灰奋氛茡澏c蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因為想爭寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫(yī)醫(yī)治，原來，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來，一切都是姚芊芊與金碧瑤的詭計。而金碧瑤也因為太子中毒認清了姚芊芊的真面目?！ ∴嵸F妃拷打蘭心，逼她簽寫敗壞太子聲譽的供詞，蘭心誓死不從。關(guān)鍵時刻，太子及時趕到并帶走蘭心，卻在路上暈倒，蘭心感動不已。 姚芊芊收買了丫鬟向張清遠報信，讓他以為蘭心被太子害死，并用調(diào)虎離山計調(diào)離了蘭心。蘭心在路上感覺不對，匆匆往回趕，正好看見張清遠持刀向太子刺去。蘭心以身相代，并控制不住問張清遠為何不守信約，張清遠卻因為刺中蘭心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來，又為何獨自在雪中待了一夜?！ √m心幸好沒有被刺中要害，活了下來。太子正想審訊張清遠，卻已發(fā)現(xiàn)張清遠吊死在橫梁上，并留下了給蘭心的生死訣別書。
明明不是我！
阿部寬影片改編自淺倉秋成創(chuàng)作的同名小說，講述了一個在社交媒體上，毫無根據(jù)的信息被視為“真相”，并逐漸演變成重大事件的現(xiàn)代冤案恐怖故事。阿部寬飾演的主角是大型住宅建材公司的營業(yè)部長山縣泰介，有一天突然在社交媒體上被指認為“殺人事件的兇手”，個人信息被曝光。雖然完全無辜，卻被社會追捕、陷入“網(wǎng)絡(luò)風(fēng)暴”之中，不得不逃亡。
二十
金宇彬,李俊昊,姜河那,鄭素敏,李侑菲,閔孝琳,鄭珠妍該片講述的是三個二十歲的小伙兒青春年少的故事，金宇彬飾演的是一個不善處理異性關(guān)系、沖動熱血、游手好閑的家伙。