瑞典少女阿尼塔
一位年輕女子，名為安妮塔患有心理問題和性濫交，是因她混亂的童年和漠不關(guān)心的父母。她經(jīng)常和多位陌生人發(fā)生性關(guān)系，雖被她的親友認(rèn)為y-蕩輕浮，也全然不在乎，只是得不到一次真正的「高潮」。當(dāng)她遇見埃里克，是該地一所大學(xué)的學(xué)生，他試圖通過分析她過去的關(guān)系，他幫助她的煩惱。埃里克露出她最親密和最激烈的遭遇戰(zhàn)之后，他決定，為了她克服她的色情狂，他首先必須讓她壓制難以抑制的浮濫性欲望。經(jīng)歷漂亮心理學(xué)家-提供強(qiáng)制性的同性戀診療，及埃里克細(xì)心觀照，與一系列事件的性愛嘗試，在賞心悅目的方式，自然使她達(dá)到了性高潮，直到她被;治愈
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總統(tǒng)拍檔
杰克·萊蒙,詹姆斯·加納,丹·艾克羅伊德他們——曾經(jīng)執(zhí)掌國家，如今卻為自已的生計(jì)而忙碌，他們——是不同政黨的對立方！他們——便是兩個(gè)美國前總統(tǒng)！由于現(xiàn)任總統(tǒng)把他倆卷入到了一樁丑聞之中，兩個(gè)曾爭吵不休的前任總統(tǒng)不得不走到了一起，走遍全國尋求證據(jù)以證明自己的清白。一路上趣事不斷，笑料百出，卻也讓他們了解到了真正的美國，以及自己曾給普通百姓所帶來的影響。更意想不到的是正當(dāng)他們焦頭爛額、疲于奔命時(shí)，又遭到了一伙武裝分子的連連追殺。。。。。。
草迷宮恐怖殺人事件
Joem Bascon,吉莉安·維森喬,Kristof Garcia一處廢棄草叢，發(fā)生一系列詭異的殺人魔連環(huán)殺人事件，讓警探阿邦（瓊姆芭絲康飾演）展開調(diào)查。某夜，他們遇到喬伊絲（吉蓮維琴西奧飾演）與她的一群朋友，揚(yáng)言要在這片草叢中上哀悼慘遭殺害的親友，實(shí)際上她們也是為了調(diào)查這一連串真相，而來到了這片草叢。兩邊人馬開始在草叢中搜尋，竟意外發(fā)現(xiàn)殺人魔可能并非人類，更像是神秘的超自然力量；而另一位神秘人物史蒂芬（克里斯多夫加西亞飾演），則掌握著這個(gè)超自然殺手魔的關(guān)鍵真相…。
末世家園
泰勒·霍奇林,凱特·波茨沃斯,水野索諾婭,蘭斯·萊迪克,大衛(wèi)·達(dá)斯馬齊連,丹娜·格瑞爾,勞拉·凱洛蒂,蘭斯·E·尼克爾斯,杰夫·蔡斯,布拉德·利蘭,戴夫·戴維斯,大衛(wèi)·詹森,托馬斯·弗蘭西斯·墨菲,邁克·P·納爾遜,吉姆·格里森,戴恩·羅茲,Jacinte Blankenship,埃迪·馬休斯,Mary Alice Risener,Nina Leon,Dillon Ahlf,阿爾·維森特,Jaren Mitchell,Oscar Gale,Steven Grossman,李·珀金斯,Deven MacNa一對夫婦在被暴徒控制的中西部地帶，只有通過與之斗爭才能回家的故事，影片將于6月29日北美上映。
柔似蜜
劉玉玲,勞倫斯·壽,奧賴恩·李,詹妮弗·林,胡紫蕊,陳清仁,伊萊文·李,安季·德貝尼德托,蘇珊·波爾法,杰森.托特納姆,戴夫·沙蘭斯基,達(dá)納·德·塞里斯,安東尼·科米斯,埃里克·萊威頓,格蕾絲·沈,凱特·凱林,扎克·卡爾德隆,阿蒂卡斯·埃爾薩斯,施安·湯姆林森,亞當(dāng)·錢勒·貝勒特,約瑟夫·Y·李,弗蘭妮·馬斯,喬·梅改編自Frank Shyong撰寫的《洛杉磯時(shí)報(bào)》報(bào)道《一個(gè)垂死母親的計(jì)劃》(A Dying Mother’s Plan)。來自真實(shí)事件，被形容為“讓人心碎的故事，聚焦理解心理疾病的多層面的重要性，尤其是亞裔社群中”，講述在圣蓋博谷，一個(gè)患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對大規(guī)模槍擊案越發(fā)沉迷。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
15點(diǎn)17分，啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費(fèi)舍,賈里爾·懷特,托馬斯·列農(nóng),托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯影片源自真實(shí)事件，講述2015年8月一列從阿姆斯特丹開往巴黎的高速列車上發(fā)生了恐怖襲擊事件，三位美國士兵挺身而出將歹徒制服的故事，電影將根據(jù)三位當(dāng)事人的回憶錄改編。