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劇情簡(jiǎn)介
劇情有;羅密歐與朱麗葉式的凄美,大族女方蘭晶與窮家子邱俊民相愛,卻為女方爸爸媽媽嫌其貧窮對(duì)立他們交游,但蘭晶為了忠于個(gè)人的愛情不吝拒絕了大族子男同學(xué)郭華忠的尋求,最終俊民為救蘭晶可憐被打死,蘭亦因此而殉情
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克里斯汀·斯圖爾特,科賓·布魯,麥克斯·泰瑞奧,詹妮弗·比爾斯,山姆·洛巴茲愛情鳥的自救
庫(kù)梅爾·南賈尼,伊薩·雷,安娜·坎普,保羅·斯帕克斯,凱爾·柏海莫,喬·克里斯特,布萊恩·克恩,莫西斯·斯托姆,賈倫·米切爾,T·C·馬特恩,格拉倫·布萊恩特·班克斯,尼古拉斯·帕森斯,安東尼·邁克爾·弗雷德里克,韋米蒂婭·埃拉恩,萊斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond撒冷鎮(zhèn)2024
劉易斯·普爾曼,威廉·桑德勒,皮魯·埃斯貝克,麥肯茲·利,比爾·坎普,阿爾法·伍達(dá)德,斯賓塞·崔特·克拉克,約翰·本杰明·西基,尼古拉斯·克羅維蒂,Debra Christofferson,凱德·伍德沃德,瑞貝卡·吉貝爾,凱蘭·呂德,塞拉·希烏爾曼,Jordan Preston Carter,邁克·巴什,Danielle Perry,Carly Silverman,加文·馬多克斯·伯格曼,Fedna Jacquet沐浴鹽僵尸
Josh Eal,Ethan Holey,Jackie McKown慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀人氣佳作
阿里
安德拉尼克·馬奈,帕斯卡爾·雷內(nèi)里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克萊芒絲·庫(kù)隆,Fabio Caron,Audrey Bonnet,克萊爾·博德森,蘇菲?卡達(dá)尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena嗜血之夜
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重返侏羅紀(jì)
為了研究抗癌特效藥,探險(xiǎn)團(tuán)隊(duì)前往失落的孤島尋找一種遠(yuǎn)古植物-火獄蔓蓮,卻在島上遭遇了遠(yuǎn)古生物的襲擊并發(fā)現(xiàn)了侏羅紀(jì)遺址,在經(jīng)歷萬難,獲得花蕊之后,眾人再次遭到了迅猛龍追擊,最終團(tuán)隊(duì)四散,只有三人在危機(jī)之中逃了出來,乘船離開了孤島。
角落小伙伴:天空王國(guó)與兩位小伙伴
故事舞臺(tái)設(shè)于云上天空王國(guó)。當(dāng)王子從天空王國(guó)墜入陰雨連綿的角落小鎮(zhèn),救助王子的角落小伙伴們得知云上世界陷入嚴(yán)重水危機(jī),為拯救王國(guó)展開冒險(xiǎn)。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster