不同的筆觸

評(píng)分:7.3 播放:10萬(wàn) 更新:2026-05-04
主演: Dana Plato Bentley Mitchum Landon 

一個(gè)成功的攝影師和他的漂亮女友在好萊塢的生活和工作。他們的關(guān)系受到威脅性的實(shí)驗(yàn)。   

劇情簡(jiǎn)介

一個(gè)成功的攝影師和他的漂亮女友在好萊塢的生活和工作。他們的關(guān)系受到威脅性的實(shí)驗(yàn)。   

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綁架2007

林嘉欣,劉若英,張智霖,郭濤,張兆輝,官恩娜,趙會(huì)南

  3年前,話劇老師林曉陽(yáng)(林嘉欣飾)的弟弟被綁架,案件交由高級(jí)督察何宛真(劉若英飾)及智叔(張兆輝飾)負(fù)責(zé),可是在追捕的過(guò)程中,疑犯因爭(zhēng)吵墜樓身亡,林曉陽(yáng)就此埋下了怨恨?! ∪旰螅謺躁?yáng)患病的丈夫(趙會(huì)南飾)病情加重,需要一千萬(wàn)才能有治好的希望,林曉陽(yáng)動(dòng)了綁架富豪王森(郭 濤飾)兒子的念頭。多日來(lái)林曉陽(yáng)跟她從尼泊爾認(rèn)識(shí)的同伙跟蹤小孩動(dòng)向,后來(lái)決定在一個(gè)傍晚下手。剛好案子也是有何宛真接手,就讓林曉陽(yáng)有了報(bào)復(fù)的心理,何宛真為了救回孩子只好服從,可她萬(wàn)萬(wàn)沒(méi)有想到,原來(lái)王森的兒子,跟自己的兒子調(diào)換了衣服穿,被林曉陽(yáng)綁架的正是何宛真的兒子。  兩個(gè)女人,都為著心愛(ài)的親人在綁架案中斗志斗勇,展開(kāi)激烈的較量。

牢獄鴛

華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利

 肯特·馬洛(蒙哥馬利·克里夫特 飾)因酒駕而入獄,并在牢中認(rèn)識(shí)了搶劫犯約翰·摩根(切斯特·莫里斯 飾)和殺人犯機(jī)關(guān)槍布奇(華萊士·比里 飾)。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌,隨后他與其他獄友也無(wú)法和諧相處,心懷不滿的他在警察密探的慫恿下想要通過(guò)抓住布奇和摩根的把柄的方式來(lái)提前出獄。性格暴躁的布奇無(wú)法忍受牢中惡劣的飲食條件,在餐廳慫恿所有犯人一起抗議,最終遭到壓制,布奇也因此被送往地牢,但他心中已打定主意要設(shè)法越獄。摩根性格狡猾,在獄中一直左右逢源,并因在獄中表現(xiàn)良好得到了提前出獄的假釋機(jī)會(huì),就在他喜不勝收準(zhǔn)備出獄之時(shí),某個(gè)突然而來(lái)的事件永遠(yuǎn)改變了他的命運(yùn)。

心中的惡魔

Fernanda Andrade,Simon Quarterman,Evan Helmuth,Ionut Grama,Suzan Crowley

  1989年的寂靜深夜,南哈特福特三名神職人員遭到屠殺。行兇者名叫瑪莉婭·羅西(蘇珊·克蘿蕾 Suzan Crowley 飾),事后被診斷體內(nèi)藏有七重人格。在此后的歲月里,她被帶往意大利驅(qū)魔。時(shí)隔20年,瑪莉婭的女兒伊莎貝拉·羅西(費(fèi)爾南達(dá)·安德拉德 Fernanda Andrade 飾)決定拍攝一部關(guān)于母親的紀(jì)錄片,她啟程前往羅馬,見(jiàn)到了久違的母親,而瑪莉婭所說(shuō)的話令她頗為震驚。為了探明母親的病因,她在當(dāng)?shù)卣业搅藘晌徊m著教會(huì)偷偷進(jìn)行驅(qū)魔的教士年輕驅(qū)魔師(賽門(mén)·克特曼 Simon Quarterman 與 伊凡·海慕特 Evan Helmuth 飾)。在他們的努力下,瑪莉婭體內(nèi)的魔鬼們漸漸顯現(xiàn)出來(lái)……  本片榮獲2012年BMI電影與電視獎(jiǎng)最佳電影配樂(lè)獎(jiǎng)。

四封情書(shū)

費(fèi)昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩

尼古拉斯·考夫蘭和伊莎貝爾·戈?duì)栕⒍ㄒ谝黄稹?wèn)題是他們是否會(huì)發(fā)現(xiàn)。正如鬼魂、命運(yùn)和真愛(ài)的純粹力量將尼古拉斯和伊莎貝爾拉在一起一樣,生活也有可能將他們分開(kāi)。

反防御

莉諾·贊,莫里·柴金

  Two men and a woman circle the globe in a satellite armed with a nuclear device. The third world war breaks out, and a few months later the satellite crashes. They survive the crash but one man gets killed by survivors and the other man gets caught. The woman stays by the remains of the the satellite but is soon caught by evil punks who have taken power.

尼可曼斯

莫妮卡·貝魯奇,本·奧圖爾,泰絲·哈烏布里奇,卡羅琳·福特,大衛(wèi)·文翰,戈蘭·D·克魯特,費(fèi)利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea

  莫妮卡·貝魯奇加盟科幻恐怖片[尼可曼斯](Nekromancer,暫譯)。影片由澳大利亞導(dǎo)演凱·瑞奇-特納及凱兄弟兩人執(zhí)導(dǎo)。影片卡司還包括本·奧圖爾([底特律])、泰絲·哈烏布里奇([機(jī)器之血])。該片由eOne聯(lián)合Screen Australia、 Create NSW投資制作。影片今年于悉尼開(kāi)拍,劇情未知。

那個(gè)人在想什么事情

John Price,Preben Neergaard,Lotte Tarp

  The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.