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匿殺
彭昱暢,張鈞甯,黃曉明,王迅,徐嬌,邢佳棟,阿如那,王成思,海一天,沈浩,侯詠薰,王圣迪,黃奕,姜皓文,郝平,蔡亙晏,高長(zhǎng)遠(yuǎn),張磊,衣云鶴地獄空蕩蕩，惡魔在人間。十五年前，一群身份各異的罪惡權(quán)貴將都馬市染黑成一座“地獄島”，高中生曉笛慘遭權(quán)貴凌辱致死；十五年后，這些背后操盤者接連慘死，死狀慘烈。曾目睹十五年前命案的方天陽(yáng)與警官方正楠深入調(diào)查，驚覺(jué)這樁匿名殺人案不只是單純的復(fù)仇，更是一場(chǎng)遲到的控訴。樁樁命案，層層黑幕，那張權(quán)力、金錢、欲望織就的黑色秘網(wǎng)背后究竟藏著多少不為人知的罪孽？
八月2025
丹尼爾·沃羅比耶夫,謝爾蓋·別茲魯科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利維,羅曼·邁迪安諾夫,奧爾佳·奧佐拉平亞The history of the military operation "Bagration", which took place in August 1944.
告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛(ài),蘆田愛(ài)菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹(shù),能年玲奈,新井浩文,野本螢一所平凡的中學(xué)，1年B組即將迎來(lái)春假。不知天高地厚的學(xué)生們肆意吵鬧，殊不知一場(chǎng)綿亙數(shù)月的風(fēng)暴正向他們襲來(lái)。級(jí)任教師森口悠子（松隆子 飾）全然無(wú)視這片混亂，靜靜地向?qū)W生們做出最后的告白。這個(gè)單親媽媽獨(dú)自撫養(yǎng)著可愛(ài)的女兒（蘆田愛(ài)菜 飾），然而女兒最終在游泳池中溺水身亡。警察 認(rèn)定這是一起意外，森口則認(rèn)定女兒死于班上兩個(gè)學(xué)生之手。她不動(dòng)聲色地指責(zé)著犯人A和B，并宣布用自己的方式進(jìn)行復(fù)仇。在此之后，森口辭去教師職務(wù)，1年B班的學(xué)生也心懷惴惴迎來(lái)了春假。新學(xué)期開(kāi)始，殘酷的風(fēng)暴襲向了這群無(wú)知無(wú)畏的少男少女……本片根據(jù)湊かなえ的原作改編，并成為2010年電影旬報(bào)十佳影片；第34屆日本電影學(xué)院獎(jiǎng)最佳作品、最佳導(dǎo)演、最佳劇本和最佳剪輯4項(xiàng)大獎(jiǎng)。
開(kāi)放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
黑羊
克里斯·法利,David Spade,Tim MathesonAl（提姆·麥錫森 Tim Matheson 飾）是個(gè)十分被看好的州長(zhǎng)候選人，很怕因?yàn)樗谋康袄系躆ike（克里斯·法雷 Chris Farley 飾）蒙羞，于是雇了Steve（大衛(wèi)·斯佩德 David Spade 飾）來(lái)看管Mike以免他出什么亂子，從這一刻起就狀況百出、 笑料不斷?！ ∪拖袷且粋€(gè)喜劇大雜燴，讓您捧腹大笑，跌破眼鏡。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.