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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
妥瑞氏與我
羅伯特·阿拉馬約,彼得·穆蘭,瑪克辛·皮克,雪莉·亨德森,斯科特·埃利斯·沃特森,保羅·唐奈利,Douglas Rankine,Adam McNamara,Chris Dixon,大衛(wèi)·卡萊爾,史蒂芬·克里,Anthony Capaldi,Andrea Bisset,Francesco Piacentini-Smith,Gordon Peaston,Christina Modestou,Isla Mercer,Andrew McPhail,Malcolm McFadyen,Catriona McArthu本片根據(jù)社會(huì)活動(dòng)家約翰·戴維森的人生經(jīng)歷改編。他年少時(shí)被診斷出患有妥瑞氏綜合征，會(huì)不受控制地抽動(dòng)身體或口吐惡言。妥瑞氏綜合征迫使約翰與同齡人疏遠(yuǎn)，而他則不懈與這種鮮為人知的癥狀作斗爭(zhēng)，積極為妥瑞氏人群發(fā)聲。
索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬(wàn)達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet五個(gè)芭蕾舞者去參加比賽，卻遭遇公車墜毀，被困在一家偏遠(yuǎn)旅館中，遭遇殺身之禍，必須用自己的舞技逃脫危機(jī)。
母親往事
米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.
千萬(wàn)不要跟著我
Karla Coronado,揚(yáng)克爾·史蒂文,Julia Maqueo卡拉夢(mèng)為了成為知名的網(wǎng)紅，決定在自己的公寓里偽造一場(chǎng)鬧鬼事件。然而令她沒想到是，她的行為意外招來(lái)了不懷好意的東西。
噬童魔
杰西卡·麥麗奧德,Hannah Cheramy,約翰·埃梅特·特雷西,Jana Mitsoula,格內(nèi)維夫·布徹納,Connor Stanhope,喬安娜·紐馬奇,Craig March孤兒薩曼塔，和她的養(yǎng)父母以及妹妹奧利弗住在一起，但是他的養(yǎng)父并不喜歡她，老是責(zé)罵她。由于他們的家位于森林深處，所以回家必須經(jīng)過(guò)森林，但是，他們不知道森林里有樹怪，他們能誘捕兒童，然后把抓到的孩子困到他們的巢穴，然后再幻化成孩子的模樣，回到他們的父母身邊，所以數(shù)百年來(lái)，這片森林?jǐn)?shù)百年來(lái)都有兒童走失的案例，不幸的是，由于薩曼塔的疏忽，讓她的妹妹獨(dú)自穿過(guò)森林，然后就被樹怪擄走啦，接著就發(fā)生了一連串死亡事件，那么薩曼塔一家能夠逃過(guò)一劫嗎？