劇情縱覽
早期西德性喜劇影片,英文別名:Drei Schwedinnen auf der Reeperbahn (1980)
早期西德性喜劇影片,英文別名:Drei Schwedinnen auf der Reeperbahn (1980)
出于自衛(wèi),理查德射殺了侵入自己家中的陌生人。但是他不得不面對(duì)死者父親的殘忍報(bào)復(fù)。然而不久,敵對(duì)雙方就發(fā)現(xiàn)事實(shí)并不像表面展現(xiàn)的那么簡單,他們不得不聯(lián)合起來面對(duì)黑暗的真相。
A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.
在天眼尚未密布,監(jiān)場保安仍會(huì)打瞌睡的二十世紀(jì)七十年代,名畫大盜就是會(huì)光天化日,大剌剌走進(jìn)美術(shù)館,直接把獵物從墻上取下放入布袋運(yùn)走??此苾簯虻囊磺?,背后主謀還要是住在市郊、人畜無害的住家男人。凱莉·萊卡特完全棄用好萊塢盜寶片敘事公式,改以其擅長的左翼簡約主義鏡頭,捕捉觸犯藝術(shù)罪行者的日常生活、雙面人的言行處境,以及事件周遭人情冷暖。阿瑟多夫的抽象畫作未必是一個(gè)借口,但到頭來凸顯存在荒謬的公路逃亡,儼然為觀眾添加了不少欣賞和思考的層次。
Nimet who can not have children, is constantly under the social pressure of not being able to start a family and thus feels incomplete as a woman. Furthermore, upon learning that her beloved younger sister ?znur is fertile, she starts developing envious thoughts. “Unfruitful Times” is the story of the emotional loneliness of those who can not find courage to break the mold of the society and change their lives.