恐龍島

神勇雙響炮續(xù)集

　　小魔怪乃飛虎隊(duì)成員，因一次出錯(cuò)，被調(diào)派至行動(dòng)組與雷公共事，二人成斗氣冤家。威威李乃變節(jié)臥底，罪證菲林輾轉(zhuǎn)落在李女友Rosa手中，后來(lái)李遭反派毒手；小魔怪和雷公憑機(jī)智及運(yùn)氣終把壞蛋們繩之于法。

當(dāng)你約會(huì)的時(shí)候

　　克和茱莉婭因?yàn)閿z影在網(wǎng)上相識(shí)，兩人分享彼此的攝影作品，并且嘗試在網(wǎng)上交往。在朋友的慫恿下，尼克主動(dòng)約茱莉婭見(jiàn)面，試圖開(kāi)始真正交往，不料見(jiàn)面后才發(fā)現(xiàn)，網(wǎng)上的茱莉婭竟然是自己的前妻，因?yàn)槭聵I(yè)觀不合在幾年前離婚了。簡(jiǎn)單交談了幾句后兩人為對(duì)方安排了一場(chǎng)約會(huì)，但都因?yàn)樾愿裨驅(qū)е录s會(huì)無(wú)疾而終，實(shí)則是因?yàn)楸舜藢?duì)對(duì)方還都保留著好感。尼克邀請(qǐng)茱莉婭參加朋友家舉辦的晚會(huì)，朋友們都認(rèn)為他們非常般配，他們也有意重新開(kāi)始。在這關(guān)鍵時(shí)刻，茱莉婭的前男友出現(xiàn)，試圖挽回茱莉婭，而尼克的前女友也又一次聯(lián)系了尼克，他們礙于面子，將復(fù)合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時(shí)間后發(fā)現(xiàn)還是忘不了對(duì)方，在情人節(jié)的晚上，他們終于放下心結(jié)，重新走到一起。

馬路天使1937

　　1930年代，小云、小紅（周璇）姐妹被人騙到上海賣給琴師和妓院老鴇夫婦，小云被迫做了暗娼，小紅年紀(jì)尚小，又天生有一副好嗓子，便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟，在她們對(duì)面，住的分別是報(bào)販老王和吹鼓手陳少平（趙丹）。因?yàn)殚e來(lái)無(wú)事時(shí)陳少平常同小紅對(duì)窗玩鬧，兩人漸生感情?！　⌒〖t賣唱時(shí)被流氓古成龍纏上，對(duì)方欲強(qiáng)霸她為妾，小紅找陳少平商量對(duì)策，兩人本想借助律師將正義伸張，不想律師雙眼只認(rèn)錢，無(wú)奈之下只得逃走，而這一過(guò)程中，老王對(duì)小云由憐生愛(ài)，可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落，放風(fēng)給古成龍，古成龍趕到小紅住處時(shí)，屋里只有她和小云，兩人生命危在旦夕。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

四面三角

最后一根稻草

　　在父親的小餐館發(fā)生了可怕的案件后，Nancy決定獨(dú)自值完當(dāng)晚的最后一班來(lái)收拾殘局。但她不知道，自己并非孤身一人，她必須在漫漫長(zhǎng)夜中為自己的生命而戰(zhàn)。