欲望階梯
欲望階梯是美國(guó)花花公子公司所拍攝影片，充斥著偽情色和一些漂亮的女性。約翰 middot;安東尼 middot;丹尼森（重案組）扮演馬特，一個(gè)行動(dòng)和未來(lái)的廣告執(zhí)行，瀕臨牛仔褲公司的大型廣告推廣合同。步他的新助手，凱瑟琳Kinmont，其人主態(tài)度和想象力，為他贏得了交易。當(dāng)然，Kinmont有超過(guò)她的職業(yè)生涯記?。核胍R克。馬克，當(dāng)然是可愛(ài)的Talisa索托，誰(shuí)也懷孕結(jié)婚。但好色勝，和馬特從事與Kinmont外遇。 TEMP;和 rdquo;致命的吸引力，這種關(guān)系只能是致命的---從電影的片頭，我們相當(dāng)多知道誰(shuí)Kinmont的真的是。破舊的奔跨馬特的聯(lián)營(yíng)公司/對(duì)手脅迫他的女人跟他上床;推進(jìn)自己的事業(yè) rdquo;，并設(shè)置構(gòu)造為電影的結(jié)局明顯。交叉的表現(xiàn)是如此的過(guò)頂，他在他的游泳池，有三個(gè)場(chǎng)景對(duì)話...
即刻觀影
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致命錄像帶94
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攔截火狐貍
Robert Sampson,Will Bledsoe,喬·托克爾It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
眠狂四郎
長(zhǎng)谷川博己,黑島結(jié)菜,高橋光臣,菜菜緒,森永悠希,坂東彌十郎,宅麻伸,今野浩喜,佐藤江梨子,西村雅彥,神保悟志 ,原沙知繪,本田博太郎在將軍德川家齊統(tǒng)治下的文政年間，老中水野忠成與水野忠邦在幕府內(nèi)展開(kāi)激烈的權(quán)力斗爭(zhēng)。此時(shí)，攜帶名刀“無(wú)想正宗”的神秘浪人眠狂四郎（長(zhǎng)谷川博己 飾）現(xiàn)身江戶，并受忠邦的親信之命，暗中刺殺刺客。被他斬殺的刺客頸上佩戴著象征基督信仰的念珠。隨后，狂四郎將此物交還給刺客的妹妹靜香，引發(fā)信徒與豪商備前屋的反擊，雙方為守護(hù)與暗殺而對(duì)立。另一方面，大目付松平主水正也奉忠成之命，派遣劍豪追殺狂四郎。權(quán)謀與信仰交織，一場(chǎng)錯(cuò)綜復(fù)雜的生死之戰(zhàn)即將展開(kāi)。
家弒服務(wù)
西德尼·斯維尼,阿曼達(dá)·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬(wàn)·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達(dá)·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內(nèi)爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德改編自芙蕾達(dá)·麥克法登的同名暢銷小說(shuō)?！ 樯?jì)掙扎的女子米莉（西德尼·斯維尼 Sydney Sweeney 飾）找到了一個(gè)新的開(kāi)始，在一對(duì)看似完美且富有的夫妻妮娜（阿曼達(dá)·塞弗里德 Amanda Seyfried 飾）和安德魯（布蘭登·斯克萊納 Brandon Sklenar 飾）的家中做家政。然而，米莉很快發(fā)現(xiàn)一家人的秘密比自己的要危險(xiǎn)得多，這座豪宅背后上演著充滿秘辛、丑聞、權(quán)力誘惑的游戲。
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學(xué)院畢業(yè)生喬德回到家鄉(xiāng)準(zhǔn)備司法考試，但做殯葬業(yè)的父親卻生病了，怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因?yàn)闊o(wú)法接受前女友的死亡，想方設(shè)法希望能再跟她見(jiàn)上一面，因此來(lái)幫喬德的忙。究竟在這個(gè)生與死交會(huì)的地方，他們會(huì)遇見(jiàn)什么樣的故事呢？