婚戒
森谷仟波，25歲一般白領(lǐng)。她有個(gè)叫佳介的侽朋友，閑了會(huì)和同事一起去喝酒，和朋友一起去喝茶。然而這樣的生活，總讓森谷覺(jué)得缺少了什么。佳介的工作越來(lái)越忙，兩人碰面的時(shí)間越來(lái)越少，就算難得來(lái)仟波家，也因?yàn)閯诶鄣诡^便睡。佳介對(duì)此十分無(wú)奈，打算等手頭的工作告一段落就和仟波結(jié)婚。 仟波所屬的部門調(diào)來(lái)了一個(gè)新課長(zhǎng)桑村。剛剛步入不惑之年的桑村，長(zhǎng)相英俊，待人和善，很受OL們的歡迎。其實(shí)這次工作上的左遷令桑村十分不快，回到家里，和當(dāng)會(huì)計(jì)的妻子優(yōu)子也沒(méi)有什么共通語(yǔ)言，祂默默忍受著生活的乏味和心靈的孤寂。 這天部門加班，仟波沒(méi)有吃飯，桑村注意到了便邀請(qǐng)仟波丅班后一起去飯店用餐?？吹缴４遄笫譄o(wú)名指上閃光的婚戒，仟波覺(jué)得很安心，認(rèn)為跟祂去吃頓飯并無(wú)大礙便答應(yīng)了邀約。此后，兩人的心很快接近。佳介的冷淡將仟波推向了桑村，她和桑村發(fā)生了關(guān)系，從此兩人開始在暗中保持來(lái)往。這時(shí)，仟波的心境發(fā)生了變化，佳介的婚戒令她覺(jué)得刺眼，讓她倍感不安。這天，摘去了戒指的桑村出現(xiàn)在仟波面前
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奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發(fā)生爭(zhēng)吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關(guān)系雖有所松動(dòng)，但是新的危機(jī)已悄悄展開。艾瑪是不是會(huì)做出些奇怪的舉止，這令父母異常擔(dān)心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領(lǐng)的心理醫(yī)生，誰(shuí)知醫(yī)生最終猝死艾瑪?shù)南ド?。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學(xué)的父母的反對(duì)，執(zhí)意求助于因驅(qū)魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）?！ 』顾坪鯘u漸證實(shí)了艾瑪?shù)牟聹y(cè)，而她體內(nèi)那股邪惡的力量也變得越來(lái)越強(qiáng)大……
公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達(dá)·沃倫,斯坦·德米多夫,盧克·愛(ài)德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦Saban Films拿下方·基默、帕特里克·約翰·弗魯格(《芝加哥警署》)主演影片[公寓管理員](The Super，暫譯)北美發(fā)行權(quán)。導(dǎo)演施特凡·里克([月之陰面])，編劇約翰·J·麥克勞克林([黑天鵝])，故事圍繞一位公寓管理員調(diào)查紐約一棟豪華公寓住客失蹤案展開。迪克·沃爾夫(《法律與秩序》)擔(dān)任制片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
嘎啦
瑪菲司,儲(chǔ)榢逸,李恩佑,徐灝翔直播主瑪菲司一家抵達(dá)即將開幕的度假村舉辦活動(dòng)，然而他們從未料到，迎接他們的竟是恐怖的降臨。為了揭開真相，阿序和好友天仁召集了一群網(wǎng)友，再次前往度假村探險(xiǎn)，并希望通過(guò)這次探險(xiǎn)在網(wǎng)絡(luò)上獲取流量。殊不知，他們即將卷入一場(chǎng)自1960年延續(xù)至今、從未停止過(guò)的邪惡祭典。
太空生活
羅伯特·帕丁森,朱麗葉·比諾什,安德雷·本杰明,米婭·高斯,阿加塔·布澤克,拉斯·艾丁格,克萊爾·陳,伊萬(wàn)·米切爾,格洛里亞·奧比安約,斯嘉麗·林賽,杰西·羅斯,維克多·班納杰,Juliette Picollot,Mikolaj Gruss,Weronika Wachowska在一艘飛往黑洞的宇宙飛船上，一群被判死刑的罪犯被賦予太空英雄般的使命，去為地球?qū)ふ姨娲茉?。囚犯之間的性活動(dòng)被嚴(yán)格禁止，只能通過(guò)飛船上的"盒子"裝置來(lái)緩解生理沖動(dòng)。其中，Dibs博士(朱麗葉·比諾什 飾)將每個(gè)囚犯當(dāng)作實(shí)驗(yàn)動(dòng)物對(duì)待，并瘋狂致力于通過(guò)人工授精來(lái)制造嬰兒，然而這些實(shí)驗(yàn)卻一直沒(méi)有成功，直到她偷偷取得奉行禁欲生活的Monte(羅伯特·帕丁森 飾)的精液...
左拉傳
保羅·穆尼,蓋爾·桑德加德,約瑟夫·希爾德克勞特,格洛麗亞·霍頓,唐納德·克里斯普威廉．狄特爾執(zhí)導(dǎo)的這部影片獲得了第十屆奧斯卡最佳影片等三個(gè)獎(jiǎng)項(xiàng)。故事描述法國(guó)文壇巨匠左拉的一生經(jīng)歷，以及他為了正義而不屈不撓的精神。重點(diǎn)講述他為軍官德雷?？怂蛊椒丛┌笗r(shí)的遭遇和他不畏強(qiáng)權(quán)勢(shì)力的正義感。保羅．茂尼和約瑟夫．史屈克勞的演出精彩令人難忘，就幾場(chǎng)法庭辯論戲這部分而言，本片也可視為法庭電影的先鋒。