劇情縱覽
在某個(gè)靈異熱點(diǎn)的廢棄醫(yī)院里,心理科學(xué)家聚集了幾位男性,聽(tīng)取他們身邊發(fā)生的怪異現(xiàn)象??茖W(xué)家希望透過(guò)收集一百個(gè)鬼故事來(lái)召喚真正的靈魂……。河童、貓娘、蛇女等妖怪們紛紛聚集,這是一部粉紅電影版的妖怪百物語(yǔ)。
在某個(gè)靈異熱點(diǎn)的廢棄醫(yī)院里,心理科學(xué)家聚集了幾位男性,聽(tīng)取他們身邊發(fā)生的怪異現(xiàn)象??茖W(xué)家希望透過(guò)收集一百個(gè)鬼故事來(lái)召喚真正的靈魂……。河童、貓娘、蛇女等妖怪們紛紛聚集,這是一部粉紅電影版的妖怪百物語(yǔ)。
A man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.
熱愛(ài)射飛鏢的柯林看店為業(yè),為了贏回紅杏出牆的妻子芳心,他跳脫常軌,離開(kāi)熟悉的故鄉(xiāng),橫越全國(guó)。當(dāng)他經(jīng)過(guò)美麗的高山地區(qū),來(lái)到碎石嶙嶙的黑池時(shí),連著遇到一些人和事,改變了他的新生活。是一部好笑又非常人性的影片。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
在二戰(zhàn)后尚未歸還日本的沖繩島上,有一群人自可怕的「鐵暴風(fēng)」中幸存下來(lái)。他們像動(dòng)物般活在殘破的世界,眼前是垂死的島民和尸體。于是他們從美軍的倉(cāng)庫(kù)和基地?fù)寠Z物資,延續(xù)這座島上未完的戰(zhàn)爭(zhēng),他們被叫做「戰(zhàn)果撈客」。直到那一夜,阿恩(永山瑛太 飾)在嘉手納基地的逃亡過(guò)程中神秘失蹤,一場(chǎng)曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來(lái)。 「活下去,生還才是最大的戰(zhàn)果?!苟嗄曛?,島上女孩接連慘遭殺害,一名菜鳥(niǎo)琉球警察(妻夫木聰 飾)奉令偵辦命案。追捕疑犯的過(guò)程中,在兇手車(chē)子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩,讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。