阿瑪利亞別墅
安（伊莎貝爾·于佩爾暫無(wú)內(nèi)容Isabelle暫無(wú)內(nèi)容Huppert暫無(wú)內(nèi)容飾）是一名小有名氣的職業(yè)鋼琴家，在安看來(lái)，自己家庭幸福，堪稱(chēng)模范。在和丈夫長(zhǎng)達(dá)十五年的婚姻里，安一直堅(jiān)信著他們之間的感情一如最初那樣忠貞和純潔。不幸的是，這一切只不過(guò)是安自己的臆想罷了，丈夫的出軌很快就讓幸福的假象毀于一旦。憤怒和痛苦之間，安做出了一個(gè)瘋狂的決定，她銷(xiāo)毀了自己的身份證明，凍結(jié)了所有存款，也銷(xiāo)毀了職業(yè)生涯中的一切成果和機(jī)會(huì)，她決定來(lái)一次人間蒸發(fā)。
劇情簡(jiǎn)介
安（伊莎貝爾·于佩爾暫無(wú)內(nèi)容Isabelle暫無(wú)內(nèi)容Huppert暫無(wú)內(nèi)容飾）是一名小有名氣的職業(yè)鋼琴家，在安看來(lái)，自己家庭幸福，堪稱(chēng)模范。在和丈夫長(zhǎng)達(dá)十五年的婚姻里，安一直堅(jiān)信著他們之間的感情一如最初那樣忠貞和純潔。不幸的是，這一切只不過(guò)是安自己的臆想罷了，丈夫的出軌很快就讓幸福的假象毀于一旦。憤怒和痛苦之間，安做出了一個(gè)瘋狂的決定，她銷(xiāo)毀了自己的身份證明，凍結(jié)了所有存款，也銷(xiāo)毀了職業(yè)生涯中的一切成果和機(jī)會(huì)，她決定來(lái)一次人間蒸發(fā)。
為你推薦
自由萬(wàn)歲
華萊士·比里,里奧·卡利羅,菲伊·雷In this fictionalized biography, young Pancho Villa takes to the hills after killing an overseer in revenge for his father's death. In 1910, he befriends American reporter Johnny Sykes. Then a meeting with visionary Francisco Madero transforms Villa from an avenging bandit to a revolutionary general. To the tune of 'La Cucaracha,' his armies sweep Mexico. After victory, Villa's bandit-like disregard for human life forces Madero to exile him. But Madero's fall brings Villa back to raise the people against a new tyrant...
阿姆魯姆
Jasper Billerbeck,勞拉·湯克,麗莎·哈格邁斯特,Kian K?ppke,拉爾斯·耶森,德特勒夫·布克,馬提亞斯·施維赫夫,黛安·克魯格,德克·伯林,哈克·波姆,Tony Can,Rita Feldmeier,馬克·哈洛夫,Morten Bo Heine,馬克斯·霍普,Polli Leuner,Jorid Lukaczik,Bernd Moss,Florentine Panizza,Thomas Perkins這部歷史劇以1945年春季二戰(zhàn)尾聲為背景，聚焦十歲少年南寧。其父遠(yuǎn)征戰(zhàn)場(chǎng)，少年竭盡所能助母養(yǎng)家：獵捕海豹、暗夜捕魚(yú)、躬耕田間。然而期盼已久的和平降臨后，卻催生全新沖突，南寧必須在廢墟之上探尋屬于自己的人生航向。
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin法國(guó)鄉(xiāng)野荒原，米卡與丹懷揣夢(mèng)想?yún)s厄運(yùn)纏身。當(dāng)?shù)ぴ俅胃阍乙磺?，兩人被迫投奔發(fā)跡的老友托尼——如今的包工頭之王。困在混凝土牢籠中的他們，必須找到出路：逃離此地、擺脫麻煩、沖破生存困境。
曼谷保鏢2
Petchtai Wongkamlao,Tony Jaa⊙《曼谷保鏢2》的故事： 影片故事講述拔泰王錦魯飾演的東南亞某小國(guó)特工翁坤，為了調(diào)查一伙恐怖份子，秘密潛入泰國(guó)曼谷執(zhí)行任務(wù)，并化裝成為流行歌星，混入唱片公司追查。他老婆并不知道他的真實(shí)身份，因?yàn)槲汤な莻€(gè)十足的“妻管?chē)?yán)”，但要命的是，他在泰國(guó)無(wú)可救藥愛(ài)上了一個(gè)漂亮美眉……與此同時(shí)，恐怖份子也要發(fā)動(dòng)大規(guī)模襲擊了，翁坤如何能制止這場(chǎng)破壞？ ⊙《曼谷保鏢2》的看點(diǎn)： 繼2005年大賣(mài)座的第一集之后，《曼谷保鏢》于今年拍出了續(xù)集，有“泰國(guó)周星馳”之稱(chēng)泰國(guó)喜劇明星拔泰王錦魯繼續(xù)自編自導(dǎo)自演，繼續(xù)請(qǐng)來(lái)《拳霸》東尼·嘉參與演出。影片向周星馳、成龍電影偷了師，并且自己惡搞了《拳霸》《冬蔭功》等片，拔泰王錦魯（《拳霸》另一主演）演出非常出彩過(guò)癮。Tony Jaa則之是客串身份，在片中有一場(chǎng)打斗，另外自己還拿《冬蔭功》開(kāi)涮，十分的“搞”。
寫(xiě)寫(xiě)畫(huà)畫(huà)
永野芽郁,大泉洋,見(jiàn)上愛(ài),畑芽育,鈴木仁,神尾楓珠,森愁斗,青柳翔,長(zhǎng)井短,津田健次郎,齊藤由貴,有田哲平,山野仁,大森南朋立志成為漫畫(huà)家的高中生林明子，經(jīng)同學(xué)介紹來(lái)到一個(gè)奇怪的美術(shù)教室。這個(gè)教室沒(méi)有招牌也沒(méi)有宣傳，甚至在電話本上都查不到，只是一處坐落在海邊的小木屋。木屋主人是個(gè)手拿竹刀、身穿運(yùn)動(dòng)服的美術(shù)老師，名叫日高健三。他嚴(yán)厲無(wú)比，每次學(xué)生們畫(huà)畫(huà)懈怠的時(shí)候，他只有一句話：“去畫(huà)吧！”
東北戀哥3：冬天里的一把火
包貝爾,張夢(mèng)露,喬杉,潘斌龍,韓彥博,韓云云,張呈90年代的哈城，剛刑滿釋放的徐鐵（包貝爾 飾）偶遇裝啞的舞女百靈（張夢(mèng)露 飾），兩人也在幾次偶遇和深夜相伴中漸生情愫。直到除夕夜的溫暖，讓他們相互靠近，卻又因現(xiàn)實(shí)隔閡，家人誤解而屢屢拉扯。百靈為父還債的秘密賬本，讓徐鐵讀懂了她的苦衷，雷力的迫害更是將兩人推向絕境，徐鐵以命相搏救出被囚的百靈，終贏來(lái)家人祝福。這對(duì)孤獨(dú)靈魂，在世俗重壓下，以真愛(ài)焐熱了彼此的人生。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.