再會(huì)

米納里

 故事發(fā)生在20世紀(jì)80年代的美國(guó)，美籍韓裔男子雅各布（史蒂文·元 Steven Yeun 飾）帶著妻子莫妮卡（韓藝璃 飾）和兩個(gè)孩子大衛(wèi)（Alan S. Kim 飾）、安妮（Noel Cho 飾）一起從熟悉的西海岸搬到了偏僻而又陌生的阿肯色州。雖然對(duì)于丈夫的這一決定，莫妮卡的心中十分的反對(duì)，但她拗不過(guò)雅各布的堅(jiān)決和頑固，只得被迫夫唱婦隨。蠻荒之地的生活既不舒適也不有趣，在最初的新鮮感過(guò)去之后，大衛(wèi)和安妮很快就開(kāi)始懷念起過(guò)去的生活了。之后，孩子們的外婆也來(lái)到了他們的身邊，給這個(gè)家庭帶來(lái)了一絲熱鬧的氣息。雅各布沒(méi)有發(fā)現(xiàn)的是，當(dāng)他將越來(lái)越多的時(shí)間和精力投入到開(kāi)發(fā)農(nóng)場(chǎng)這件事情上時(shí)，他和妻子之間的距離就越來(lái)越遠(yuǎn)。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

兩個(gè)心臟

　　改編自同名網(wǎng)絡(luò)連載漫畫(huà)，由原作漫畫(huà)作者鄭嚴(yán)植親執(zhí)導(dǎo)筒拍攝。該片講述了被連環(huán)殺人犯奪去家人的女子以自己的臟器作為擔(dān)保展開(kāi)報(bào)復(fù)行動(dòng)的故事。

蒼蠅之母

 When a young woman faces a deadly diagnosis, she seeks dark magic from a witch in the woods... but every cure has costs.

刺透

白日殺機(jī)

　　故事描述了陳偉（章宇 飾）和性感美女艾菲（亦涵 飾）前往一處廢棄多年的化工廠(chǎng)做規(guī)劃設(shè)計(jì)，卻意外陷入了一連串恐怖事件的故事。一路上，艾菲作為第三者，主動(dòng)示愛(ài)陳偉，兩人暗地里偷偷交往，而陳偉則在背叛自己的女友的情況下接受了這種行為。他們抵達(dá)化工廠(chǎng)后，發(fā)現(xiàn)這里布滿(mǎn)了詭異的氛圍：墻上刻著血字，艾菲突然消失了。陳偉意識(shí)到自己可能已經(jīng)陷入了一個(gè)危險(xiǎn)的陷阱，成為了神秘人設(shè)計(jì)的犧牲品?！　￡悅ヅc神秘人展開(kāi)了搏斗，試圖逃出險(xiǎn)境。在這場(chǎng)斗智斗勇中，他們面臨著生死攸關(guān)的局面。最終，是否能夠成功逃生，成為故事的懸念。然而，即使逃脫了生理上的危機(jī)，陳偉還將面臨道德和良知的拷問(wèn)。他的背叛行為是否值得，他對(duì)自己和他人的所作所為是否感到內(nèi)疚和后悔，這些問(wèn)題也將成為他未來(lái)的挑戰(zhàn)。