窒息的陽光

　　1978年的某個寒冷秋夜，迷路的希羅頓走進了一個偏僻的農(nóng)場。農(nóng)場主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機。不料人心的貪欲引發(fā)了血的悲劇……　　四年后的冬天，姆爾茲警官負責調(diào)查這起兇殺案，他和重要證人希羅頓一起前往現(xiàn)場檢證。敷衍了事的調(diào)查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現(xiàn)而出……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

A noir portrait of Italy in the Seventies.

　　《在斷崖下》：青年蒲岡大輝（伊藤淳史 飾）將車停在懸崖旁和女友幽會，突然一股神秘的力量將汽車推向懸崖；《6號房間》：女高中生久保有紗（堀北真希 飾）和長澤美奈子等朋友去唱卡拉OK，自從她們使用過詭異的6號房間后，美奈子就變得分外怪異；《不可思議的時間》：為了趕上即將進行的世界杯比賽轉(zhuǎn)播，小職員白石大吾（平岡祐太 飾）匆匆搭上一輛計程車，卻在很短的時間內(nèi)經(jīng)歷了一段漫長的旅程；《四疊半的貴婦人》：森三中的大島美幸買到一只精致的茶杯，隨茶杯一同來到她家的還有一個身穿洋裝的貴婦人；《體驗者》：市場調(diào)研人員今泉誠一（高島政伸 飾）在某超市調(diào)查期間，發(fā)現(xiàn)店員似乎正被某個看不見的女人所侵擾；《病棟的絨毛玩具》：某所醫(yī)院有一只泰迪熊毛絨玩具，所有把玩它的老人都回去世。