劇情簡介
Purpose.of.reunion.3 (2018)
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鬼三驚3
沃拉甘·羅娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,緹拉娜·友薩奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,滬瓦隆·威伍颯,Sara Holher,Worachart Thumwijin高速公路：琵姆是高速公路收費站夜班收費員。凌晨三點鐘在她當(dāng)值的時候，一股邪惡力量正在威脅她的生命。 一夜情：譚是一個繪畫修復(fù)者，喜歡參加各種派對和夜店。一天，譚遇見了一個神秘、性感的女人娜潘，并對她一見鐘情。第二天凌晨三點鐘，他找到娜潘并跟隨她到她家。這個女人究竟是誰？ 電視直銷：山姆是一檔電視購物節(jié)目的導(dǎo)演。他的組員和主持人打算合伙捉弄他。他們密謀了一系列奇異的事件，想要報復(fù)一下這個自大的導(dǎo)演。凌晨三點鐘，導(dǎo)演助理歐接到了山姆女朋友的電話，她打電話來是告訴他，山姆在來電視臺的路上出車禍死了。歐試圖把這個消息告訴組員們，但是沒人相信他的話。這時，所有燈瞬間熄滅，惡作劇開始了……
抱得美人歸
亞歷克·鮑德溫,金·貝辛格在二次世界大戰(zhàn)后，即將結(jié)婚的花花公子開車到賭城作最后一次尋歡，不料邂逅了美麗的女歌手，并發(fā)現(xiàn)了她是賭城大亨巴格西的情婦。他該回到自己的規(guī)律生活中，還是繼續(xù)追求這段冒險的愛情呢？名編劇家尼爾賽門由自己的愛情經(jīng)歷創(chuàng)作出本片，對男女之間的感情游戲有深刻的體會，所以劇情雖然簡單，趣味性倒不弱。亞歷克．鮑德溫和金．貝辛格因拍攝本片而牽上紅線，可見其演出投入。此外，金．貝辛格親自主唱片中歌曲，頗有幾分性感歌星的架勢。
這就是我2026
望月春希,齋藤工主人公賢示自幼飽受性別認(rèn)同困擾，卻始終未放棄成為偶像的夢想。醫(yī)生和田在與賢示相遇后，首次直面性別認(rèn)同障礙的現(xiàn)實，并以賢示為首例親自主刀的性別重置手術(shù)患者。一個選擇活出自我，一個探索“真正的醫(yī)療”，兩人在偏見與孤獨中建立起深厚信任與羈絆。 本片改編自春菜愛與和田耕治的原著，講述開啟禁忌手術(shù)之門的真實故事。
犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛(wèi)·T·林,亞當(dāng)·比奇,Ramontay McConnell,Max Mata,Ken Radley富有魅力的牧場主菲爾·伯班克（本尼迪克特·康伯巴奇 飾）讓他周圍的人又敬又怕。當(dāng)他的兄弟將新婚妻子以及她的兒子帶回家時，菲爾百般折磨他們，直到有一天，他發(fā)現(xiàn)自己對愛也存有一絲渴望。
最后的日出
張玨,張苒在未來，地球上所有的化石能源都被消耗殆盡，人類全面進(jìn)入了太陽能時代。能源公司開始全面的開發(fā)和控制太陽，人類社會逐漸向完全依賴太陽能Ⅱ型文明邁進(jìn)?！ 〉谝淮稳祟惪茖W(xué)無法探明的天體活動中，太陽突然消失了。整個世界陷入了黑暗的無政府狀態(tài)，大面積搶奪生存資源的惡性事件在城市不斷發(fā)生，富人乘坐宇宙飛船逃離到其他星球，普通人只能留在地球享受世界末日。社恐障礙的天文學(xué)自由撰稿人孫煬與素未謀面的廢柴鄰居陳暮被迫結(jié)伴共同踏上末日逃亡之旅，前往傳說中人類最后的庇護(hù)之所——第四區(qū)。一路上他們與形形色色的人匆匆相遇，見到了最殘酷的人性與最溫情的告別。在無數(shù)次的死里逃生之后，兩顆寂寞的心開始慢慢靠近，并在殘酷的災(zāi)難面前逐漸發(fā)現(xiàn)了生命的意義……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.