人生概念

評(píng)分：7.1 播放：53萬(wàn) 更新：2026-04-30

Alex, Lino 和 Liz 他們?nèi)齻€(gè)人是外交官的兒子，他們一起住在巴西利亞。在一間空蕩的公寓享受著沒(méi)有父母管束的自由，似乎外面的世界都與自己無(wú)關(guān)。當(dāng)他們遇到了;X 他們生活發(fā)生了不可逆轉(zhuǎn)的改變，這是一個(gè)沒(méi)有名字、沒(méi)有過(guò)去的人，建議他們把每一天當(dāng)作生命的最后一天來(lái)過(guò)......... 人生從此變得只是一個(gè)概念，酗酒，吸毒，狂歡，亂交成為生活常態(tài)，人生沒(méi)有目標(biāo)，剩下的僅僅只是一個(gè)概念，一個(gè)符號(hào)，一個(gè)未知數(shù)....... 影片中有太多的倒敘，插敘，而且有幾個(gè)旁白，攝影時(shí)而清晰，時(shí)而模糊，時(shí)而又捉摸不定，所以顯得整部影片有些混亂，似乎像極了主人公對(duì)人生的迷惘，如果各位能耐心看完本片，我想對(duì)你會(huì)有啟示。 　　

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

邪惡校園

尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald

　　艾美從又濕又冷的浴缸裡驚醒，發(fā)現(xiàn)自己似乎被軟禁在一所廢棄的學(xué)校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫(yī)生，同時(shí)也是妻子和悲傷的母親，始終無(wú)法認(rèn)清兒子因?yàn)橐馔庖验L(zhǎng)眠的事實(shí)，並認(rèn)為兒子也被困在學(xué)校裡面。在這充滿(mǎn)敵意、超自然煉獄般的學(xué)校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學(xué)?！沟囊?guī)則，隨著艾美遇到住在「學(xué)校」的恐怖邪惡生物，令人畏懼的超自然力量與內(nèi)心恐懼接踵而至，到底她對(duì)抗的是這些恐怖的生物，還是自己的心魔呢?

DB

來(lái)自河北廊坊的說(shuō)唱少年，王笑，因一次意外打架事件背負(fù)巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款，王笑知道后和母親大吵一架并且決定前往北京打工還債。來(lái)到北京之后王笑接連租房受騙，感情受挫，說(shuō)唱事業(yè)也無(wú)法繼續(xù)發(fā)展，而且再次欠下巨額欠款。王笑該如何面對(duì)這一切？

骯臟的小把戲

迪恩·凱恩,Christie Burson,邁克爾·馬德森

　　麥可(狄恩肯恩飾)在路上搭載了年輕性感的正妹(克莉絲汀波森飾)，麥可原先認(rèn)為漫漫公路有正妹相伴艷福不淺，自以為遇上了豔遇的他，卻不知道自己即將陷入一連串的陰謀及殺機(jī)，一趟沒(méi)有終點(diǎn)的旅程即將展開(kāi)…　　故事描述一個(gè)男人在路途中載了一位年輕的女人，原來(lái)只是好心借人搭便車(chē)，結(jié)果男主人公卻發(fā)現(xiàn)自己陷入了一場(chǎng)可怕的午夜夢(mèng)魘……　　If she looks too good to be true, then she absolutely is. Just ask Michael Anderson (Dean Cain), a gullible film editor who picks up a sexy young hitchhiker (Christie Burson) in the Arizona desert. After the most thrilling one night stand of his life, Michael becomes embroiled in a twisted love con involving a sadistic crime boss (Michael Madsen), a lonely henchman, and a thieving bank manager. Trust isn't just a bitch, it's a dirty little trick!　　A crime bosss money is missing and he wants it back by any ay means. The beautiful hitchhiker has it and wants to make the getaway.　　Alexander "Sasha" Shulgin is the scientist behind more than 200 psychedelic compounds - including MDMA, more commonly known as Ecstasy. Considered to be one of the greatest chemists of the 20th century, Sasha's vast array of discoveries have had a profound impact in the field of psychedelic research, making him a subject of fascination and controversy among fellow scientists and a folk hero to recreational users of psychedelics. Dirty Pictures uncovers the lifework of Dr. Shulgin and takes  viewers inside his Northern California home where he lives with his wife of 40 years and continues to carry out experiments in a makeshift laboratory. Director étienne Sauret likewise delves into the broader world of psychedelic research - where the fields of chemistry, neuroscience and philosophy intersect - and investigates whether or not this particular field could aid in solving the deepest mysteries of the human mind.