灼人秘密妮娜

? 8.3 播放：12萬 2026-05-02

趙德胤第5部劇情長片《灼人秘密》獲得臺灣文化部輔導(dǎo)金新臺幣1200萬元補助，謬思演員吳可熙同時身兼演員與編劇，電影也首次告別緬甸，于2018年11月26日殺青。暫無內(nèi)容nbsp;　　電影講述一個鄉(xiāng)下女孩到城市追夢的故事。女孩妮娜（吳可熙暫無內(nèi)容飾）為了追求演員夢獨自北上，她如愿獲得電影《諜戀》演出，卻因偏執(zhí)導(dǎo)演的污辱、經(jīng)紀(jì)人的不關(guān)心、助理的不專業(yè)，幾度瀕臨崩潰。好不容易拍完電影，竟又接到父親工廠倒閉、母親病重消息，妮娜不得不回到家鄉(xiāng)，她遇上昔日好友Kiki（宋蕓樺暫無內(nèi)容飾），發(fā)生了一連串奇異事件，而這一切，似乎都和當(dāng)初與她競爭角色后突然消失的女孩3號（夏于喬暫無內(nèi)容飾）有關(guān)暫無內(nèi)容hellip;...究竟面對命運的無數(shù)磨難，妮娜該如何克服和面對？

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? 播放 灼人秘密妮娜

劇情提要

趙德胤第5部劇情長片《灼人秘密》獲得臺灣文化部輔導(dǎo)金新臺幣1200萬元補助，謬思演員吳可熙同時身兼演員與編劇，電影也首次告別緬甸，于2018年11月26日殺青。暫無內(nèi)容nbsp;　　電影講述一個鄉(xiāng)下女孩到城市追夢的故事。女孩妮娜（吳可熙暫無內(nèi)容飾）為了追求演員夢獨自北上，她如愿獲得電影《諜戀》演出，卻因偏執(zhí)導(dǎo)演的污辱、經(jīng)紀(jì)人的不關(guān)心、助理的不專業(yè)，幾度瀕臨崩潰。好不容易拍完電影，竟又接到父親工廠倒閉、母親病重消息，妮娜不得不回到家鄉(xiāng)，她遇上昔日好友Kiki（宋蕓樺暫無內(nèi)容飾），發(fā)生了一連串奇異事件，而這一切，似乎都和當(dāng)初與她競爭角色后突然消失的女孩3號（夏于喬暫無內(nèi)容飾）有關(guān)暫無內(nèi)容hellip;...究竟面對命運的無數(shù)磨難，妮娜該如何克服和面對？

幕后花絮

A面B面

　　教授“精神心理衛(wèi)生”的陳聰明（王洛勇 飾）在評定教授職稱的課上口出驚人之語，校長再也無法容忍這位行為瘋癲的老師，于是后者進(jìn)入一家惟利是圖的精神病院暫時棲身。在這家醫(yī)院工作的梁海潮（袁文康 飾）難以忘記前妻柳悅（張靜初 飾），經(jīng)陳聰明開導(dǎo)，梁海潮決定把前妻從開補藥店的蕭春雷（陳曉東 飾）那里奪回來。此時，日日與補藥作伴的柳悅在工作時崩潰，也被送入精神病院，在陳聰明幫助下，梁海潮將柳悅救出，而蕭春雷將柳悅的藥吃下導(dǎo)致情緒失控，被精神病院關(guān)押。梁海潮認(rèn)為奪回前妻的時機(jī)已到，而陳聰明則開始想法幫助受害的蕭春雷……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster