播放通道
詳細(xì)簡(jiǎn)介
熱門影視 大家都在看
恐怖特快
??? GO I-gyoung,李泰利,吳荷妮,李起昶,??大地1937
保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德?tīng)栴D,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I情報(bào)2025
許成泰,趙福來(lái)孤獨(dú)的美食家 2025除夕特別篇
松重豐新萬(wàn)圣節(jié)
馬爾科姆·麥克道威爾,布拉德·道里夫,威廉·弗西斯,雪莉·穆恩·贊比伊沃克人:為恩多而戰(zhàn)
Wilford Brimley,Aubree Miller,Sian Phillips同類推薦
團(tuán)戰(zhàn)之夜
山姆·洛克威爾,史蒂夫·馬克,坦婭·范·格拉恩,卡西爾·伊托克-威尼克,朱諾·坦普爾,邁克爾·佩納,海莉·露·理查森,莎姬·貝茲,阿西姆·喬杜里,湯姆·泰勒,Adam Burton,迪諾·費(fèi)切爾,喬治婭·古德曼,康拉德·坎普,邁克·加薩威,安娜·阿克頓,露露·泰勒,艾莉·康德倫,多米尼克·馬厄,大衛(wèi)·斯圖爾扎克故事圍繞著一個(gè)“來(lái)自未來(lái)的人”(山姆·洛克威爾 飾)展開(kāi),他來(lái)到洛杉磯的一家小餐館,在那里他必須招募一群心懷不滿的顧客,與他一起完成一個(gè)為期一晚、跨越六個(gè)街區(qū)的任務(wù),以拯救世界免受流氓人工智能的終極威脅。
走出叢林
布里姬特·霍博梅爾,Sarah Zaharanski瑪麗安離開(kāi)了她一直生活的城市,回到了成長(zhǎng)的地方,并從祖母那里繼承了一棟老房子。最近的村莊有十公里遠(yuǎn),沒(méi)有電,也沒(méi)有熱水。有時(shí),屈服于災(zāi)難是重新開(kāi)始的唯一方法。
大明嬪妃之離間
宋洋,朱一龍,何杜娟,關(guān)慧卿姚芊芊腹中的孩子即將足月,為了讓大家相信孩子是太子的,鄭貴妃命她帶蘭心去郊外寺廟進(jìn)香,自己則安排手下裝作歹徒襲擊二人,讓姚芊芊有理由“受驚早產(chǎn)”,并想伺機(jī)除掉蘭心。誰(shuí)知,姚芊芊真的受驚動(dòng)了胎氣,幸有蘭心全力相助,這才九死一生,在途中產(chǎn)下一子。從此,姚芊芊視蘭心為生死之交,王恭妃見(jiàn)狀,卻誤以為蘭心被鄭貴妃收買。王恭妃明白梅兒和蘭心情同手足,為防止梅兒隨蘭心一同倒戈,她開(kāi)始用各種方式離間兩人的關(guān)系 。 梅兒原是上官大人與歌女李月棠之女,實(shí)為蘭心之妹。
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢(mèng)茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴(yán)佳茵,武朋新婚的蕭靈兒(陸煙 飾)前往兒時(shí)的山間別墅度假。途中,詭異事件接踵而至,雙生女童、深夜歸來(lái)的守門人,讓蕭靈兒驚恐不已。次日,蕭靈兒的閨蜜和前男友不請(qǐng)自來(lái),守門人的兒子帶著女友來(lái)見(jiàn)家長(zhǎng)。更恐怖的是,一個(gè)神秘的紅衣女孩如鬼魂般在深山老宅中閃現(xiàn),勾起了當(dāng)?shù)亓鱾饕丫玫墓硗蕃旣悅髡f(shuō)。在這深山隔絕之地,鬼娃使眾人陷入死亡之境。靈異現(xiàn)象頻繁出現(xiàn),血腥事件不斷發(fā)生,等待眾人的是一個(gè)埋藏多年的鬼娃復(fù)仇傳說(shuō)。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster