做愛后動物感傷

燭影危林

不良教育2004

　　恩里克（費雷?馬丁內(nèi)茲 飾）和伊格萊西奧（弗朗西斯科?拜奧拉 飾）是教會學(xué)校的同學(xué)，更是一對同性戀人。學(xué)校的莫雷神父以留下恩里克為誘餌占有了伊格萊西奧，但最終恩里克還是離開了教會學(xué)校。這對同性戀人也就勞燕分飛?！　〕赡旰蟮亩骼锟艘咽且幻笥星巴镜膶?dǎo)演。一天，伊格萊西奧帶著劇本找到了恩里克，希望自己能出演男主角。劇本描寫的就是他們的成長經(jīng)歷加上想象的成年經(jīng)歷，恩里克對劇本十分感興趣，但卻不同意由伊格萊西奧出演?！　‘敹骼锟藖淼揭粮袢R西奧的家鄉(xiāng)時，秘密一幕幕揭開……

滅絕2015

　　不知曾幾何時，地球突然爆發(fā)恐怖的喪尸病毒，成千上萬的人被病毒感染，隨后化作嗜血喪尸撕咬同類，正常人類的數(shù)字直線減少。帕特里克（馬修·福克斯 Matthew Fox 飾）和杰克（杰弗里·多諾萬 Jeffrey Donovan 飾）當年乘坐巴士疏散，誰知途中遭遇最慘烈的 事件，這兩個男人以及一個尚在襁褓中的小嬰兒成為唯一的幸存者。九年后，地球上人類所剩無幾，杰克以及當年的嬰兒——可愛的小女孩露（奎恩·麥克科甘 Quinn McColgan 飾）住在一個寒冷的山村，父女倆相親相愛，甜蜜溫馨。與之相對，胡子拉碴的帕特里克與他們比鄰而居，他似乎與杰克有著深深的隔膜?！　∧硞€飄雪的夜晚，露意外在院落外目擊到久未出現(xiàn)的喪尸的行蹤，曾經(jīng)的噩夢再度浮現(xiàn)……

約束的罪行

　　絕望的母親艾麗西亞竭盡所能阻止其子丹尼爾因謀殺前妻未遂而被判入獄。在這一過程中，艾麗西亞將發(fā)現(xiàn)一樁陰謀，這將徹底改變她的生活，并將其變成一個真正的噩夢。

弗蘭肯斯坦的詛咒

　　《科學(xué)怪人的詛咒》（The Curse of Frankenstein），又譯作《神秘怪尸》，是1957年英國的一部恐怖片，由咸馬公司出品。本片基于瑪麗·雪萊的同名小說《科學(xué)怪人》。本片也是咸馬公司的首部彩色電影，影片出品后得到成功并制作了多部續(xù)篇，并建立了有哥特意味的品牌形象。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.