劇情簡(jiǎn)介
他是一名偷窺狂，但也是一名露宿者天天到工廠大廈執(zhí)紙皮維生。今天他發(fā)現(xiàn)工廠大廈內(nèi)一件大R牛美少婦，他竟忍不住在她面前性幻想。忍無(wú)可忍下拿出積蓄往一樓一出火，竟然遇上y-娃一條，過(guò)程中他爆發(fā)出又癲又狂的性技巧，砌到條女死去活來(lái)。
為你推薦
恐怖直播
河正宇,李璟榮,全慧珍,李大衛(wèi),金弘波,崔正賢,崔大勛,姜信哲,韓成天,孫成燦,金素辰,金大明,金海仁韓國(guó)首爾某個(gè)平凡的早上，廣播電臺(tái)Daily Topic節(jié)目的主持人尹英華（河正宇 飾）正就稅率改革與聽(tīng)眾進(jìn)行連線(xiàn)，這時(shí)一個(gè)自稱(chēng)住在首爾昌信洞的普通工人樸魯圭打入電話(huà)，大肆抱怨超高的電費(fèi)和相關(guān)部門(mén)對(duì)他的威脅。尹英華頗不耐煩，以偏離主題為由強(qiáng)行切斷電話(huà)。誰(shuí)知連線(xiàn)無(wú)法單方面由電臺(tái)方面中斷，憤怒的樸魯圭繼續(xù)抱怨，并揚(yáng)言炸掉漢江大橋。尹英華不以為然，進(jìn)而慫恿對(duì)方想做就做，誰(shuí)知話(huà)音剛落，窗外的麻浦大橋便炸作廢墟。大驚失色的尹英華很快冷靜下來(lái)，他決定利用這次難得的機(jī)會(huì)打一次事業(yè)的翻身仗。在他的主持下，針對(duì)恐怖分子的連線(xiàn)直播就此展開(kāi)，無(wú)關(guān)良知的節(jié)目拉開(kāi)帷幕……
牧群
The first feminist vegan horror film, The Herd has been rejected by some film festivals for being too horrific or political. A number of kidnapped women are kept imprisoned in a squalid medical facility condemned to a life of enforced servitude at the whims of their captors, without any hope of rescue or escape.
劇場(chǎng)靈
島崎遙香,足立梨花,高田里穗,町田啟太,中村育二,小市慢太郎水樹(shù)沙羅（島崎遙香 飾）是一個(gè)在演藝圈打拼多年的青年女演員，雖然她努力磨練演技，勤奮專(zhuān)注，卻始終未得到世人的關(guān)注。在此期間她受到來(lái)自事務(wù)所的壓力，二者相權(quán)之際最終選擇參加劇作家錦野豪太（小市慢太郎 飾）的新作《鮮血的召喚》的試鏡?！鄂r血的召喚》根據(jù)史上真實(shí)人物嗜血如命的伊麗莎白的故事改編，為了美這個(gè)女人不惜殘害鮮活的生命。沙羅與同事務(wù)所小有名氣的女星筱原葵（高田里穗 飾）一同試鏡，兩人最終分別獲得了農(nóng)家女孩安娜以及主角伊麗莎白的角色。 在排演過(guò)程中，放置在舞臺(tái)中央的人偶似乎有了自己的意識(shí)，讓本就為了榮光而近乎癲狂的女子們更走向了崩潰的邊緣……
請(qǐng)以你的名字呼喚我
艾米·漢莫,提莫西·查拉梅,邁克爾·斯圖巴,阿蜜拉·卡薩,艾斯特·加瑞爾,維克圖瓦爾·杜布瓦,旺妲·卡布里奧羅,安東尼奧·里莫爾迪,埃琳娜·布奇,馬可·斯格羅索,安德烈·艾席蒙,彼得·斯皮爾斯故事發(fā)生在八十年代的意大利里維埃拉，每年夏天，十七歲的少年艾力奧（提莫西·查拉梅 Timothée Chalamet 飾）都會(huì)跟家人一起來(lái)此地度假。今年，和他們共享假日時(shí)光的，還有來(lái)自美國(guó)的奧利弗（艾米·漢莫 Armie Hammer 飾），高大英俊熱情開(kāi)朗的奧利弗很快就獲得了艾力奧一家人的喜愛(ài)。隨著時(shí)間的推移，艾力奧和奧利弗之間漸漸產(chǎn)生了致命的吸引力，但性別和年齡的桎梏讓他們遲遲無(wú)法跨出那關(guān)鍵的一步，與此同時(shí)，單純善良的少女馬奇婭（艾斯特·加萊爾 Esther Garrel 飾）也向艾力奧奉獻(xiàn)著自己的感情和身體。最終，洶涌的激情沖破了艾力奧和奧利弗之間的防線(xiàn)，兩人開(kāi)始了一段注定不會(huì)有結(jié)果的戀情。
甜蜜與卑微
西恩·潘,薩曼莎·莫頓,Dan Moran,烏瑪·瑟曼,Brian Markinson故事發(fā)生在20世紀(jì)的30年代，雷（西恩·潘 Sean Penn 飾）是當(dāng)時(shí)紅極一時(shí)的爵士樂(lè)傳奇人物。由于早年生活困頓，成名后雷養(yǎng)成了揮金如土的惡習(xí)，壓抑許久的他放縱自己迷失在由金錢(qián)和美女組成的奢侈世界里?！ ∫晃幻泻５伲ㄋ_曼莎·莫頓 Samantha Morton 飾）的普通洗衣女工深深的愛(ài)上了雷，愿意為雷付出一切，而雷亦對(duì)單純的海蒂抱有好感?？墒?，此時(shí)的雷并不想過(guò)早的走入安定的家庭生活，更何況，雷可是一位藝術(shù)家啊，對(duì)于藝術(shù)家來(lái)說(shuō)，婚姻難道不正是靈感的墳?zāi)箚?？就這樣，雷和海蒂漸行漸遠(yuǎn)。之后，雷娶了性感妖嬈的作家布蘭奇（烏瑪·瑟曼 Uma Thurman 飾），卻發(fā)現(xiàn)布蘭奇是比自己還要放浪形骸的“交際花”。直到此時(shí)，雷才想起了海蒂的好，可是雷沒(méi)有把握，這個(gè)單純可愛(ài)的女孩如今還會(huì)一如既往的包容他，接納他嗎？
機(jī)器生活
艾狄森·蒂姆林,詹姆斯·達(dá)西,史蒂文·斯崔特,德魯·凡·阿克爾,馬克·法姆吉列蒂,里?！ね邆惗?埃朗·米歇爾·蒙漢,希拉里·巴拉福德,尼古拉斯·巴迪一對(duì)理想主義的年輕夫婦獲得了一個(gè)逼真得令人驚嘆的機(jī)器人，機(jī)器人的幫助使他們無(wú)憂(yōu)無(wú)慮，但隨著他們?nèi)諠u親近，他們對(duì)人性的感知將會(huì)改變。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.