肉奴隷 嬲る (1985)

? 3.4 播放:19萬(wàn) 2026-04-30

敷島家的長(zhǎng)女澄子與未婚夫訂婚兩年之久,卻一直以事業(yè)為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產(chǎn)生曖昧的同時(shí),度假莊園的傭人卻也盯上了大小姐。

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? 播放 肉奴隷 嬲る (1985)

劇情提要

敷島家的長(zhǎng)女澄子與未婚夫訂婚兩年之久,卻一直以事業(yè)為借口拒絕未婚夫的求歡,未婚夫逐漸與小姑子產(chǎn)生曖昧的同時(shí),度假莊園的傭人卻也盯上了大小姐。

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

感染她嘴唇的欲望2025

本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個(gè)可愛(ài)的女高中生,生活充滿了快樂(lè),但從未體驗(yàn)過(guò)戀愛(ài)的感覺(jué)。因?yàn)檐嚨溩≡旱脑缒危卺t(yī)院里被一個(gè)非常漂亮的女生吸引了。于是,一段青澀甜蜜的戀愛(ài)開始了!