我們2017
我是不了解自己是誰的孤獨(dú)的天才。暫無內(nèi)容 你知道自己是誰嗎？暫無內(nèi)容 當(dāng)問到你「你自己是誰」的時(shí)候，你一定會(huì)一時(shí)不知如何回答。這是因?yàn)樗腥硕疾皇且蛴勺约旱囊庾R(shí)降生于世。所以，人在描述自己是誰的時(shí)候會(huì)用上「我是誰誰家的孩子」亦或是「我是在哪里哪里上班的某某」。這明明是在描述自己，卻一定要用上自身之外的某樣?xùn)|西。暫無內(nèi)容 「我們?！?，是自己不了解自己，自己無法控制自己暫無內(nèi)容hellip;也就是說，自己被創(chuàng)造出來源于父母的意志。但最壞的情況，很可能父母都沒這么想，由于這樣的父母的遺傳因子而飽受折磨的人，就是這部電影所描繪的。
即刻觀影
劇情賞析
編輯推薦
開放日
Anna Paquin,Stephen Moyer,Tricia Helfer,Jessica CollinsA couple on the verge of a nasty divorce attempt to sell their empty love nest and move on with their lives, separately. After a successful open house they are horrified to discover, days later, that a potential buyer didn't leave their home. While Alice is being held captive in the basement, the unannounced house guest moves in upstairs. She senses her capture is being kept a rebellious secret. She knows her way only way out if she can only get out alive.
復(fù)仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁故事發(fā)生在1941年，希特勒支持的羅馬尼亞鐵衛(wèi)軍到處殘害人民，迫害共產(chǎn)黨員，陰謀進(jìn)行顛覆，取代安東尼斯庫政權(quán)，其中鐵衛(wèi)軍隊(duì)長巴拉班尤其嗜殺成性。安東尼斯庫政權(quán)保安機(jī)關(guān)的警長（后升為警察總監(jiān)）莫多萬在羅馬尼亞共產(chǎn)黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛(wèi)軍展開血腥斗殺......
仿生人妻子
喬納森·萊斯·梅耶斯,埃萊娜·康博里斯,多隆·貝爾,阿加·達(dá)什,Alix Villaret,Fletcher Donovan,莎拉·桑帕約,Rachelle Goulding,凱特琳·史崔克,C.J. Perry威廉喪妻后，從AI公司得到一位與亡妻樣貌相同的仿生人，在人工智能開發(fā)的斗爭中，一個(gè)神秘組織試圖通過破壞仿生人的程序來讓仿生人獲得自由...
黑心鬼
陳友,梅艷芳,午馬,葉德嫻,莫少聰黑心鬼（午馬 飾）原是百年前的善長人翁，好事做盡，卻令田地善惡不平衡，故被罰在陽間害九名貪心之人后方可投胎；陳康泰（陳友 飾）誤放出尿壺中的黑心鬼，被贈(zèng)予三個(gè)愿望，試驗(yàn)其是否貪心之人?？堤┲苄浅剑俾?飾）替兄頂罪而被解雇，寄居兄長家中，被惡嫂梅賽花（梅艷芳 飾）逼做男傭，因而邂逅女鬼梅蘭花（梅艷芳 飾），另一方面，黑心鬼限期將至，決定完成康泰最后愿望后便取其性命，康泰能否度過此劫……
猩球崛起
安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達(dá)·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費(fèi)爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴丁斯,克里斯托弗·戈登,德文·達(dá)爾頓,杰·卡普托,大衛(wèi)·奧伊羅,杰米·哈里斯為了能讓身患老年癡呆癥的父親重回正常的生活，威爾·羅曼（詹姆斯·弗蘭科 James Franco 飾）一直致力于名為“Cure”的基因藥物的開發(fā)，并在大猩猩身上不斷進(jìn)行著藥物試驗(yàn)。在公司已經(jīng)失去信心的同時(shí)，威爾繼續(xù)在家完成試驗(yàn)，并在一只名為凱撒的大猩猩身上獲得成功。借助靈長類學(xué)家卡洛琳（芙蕾達(dá)·平托 Freida Pinto 飾）的幫助，威爾發(fā)現(xiàn)凱撒的智力極大地提高。不過，人類的社會(huì)始終無法接受擁有極高智力的凱撒，凱撒被送往了猩猩看護(hù)所?？醋o(hù)所的殘酷對待，使得凱撒利用智慧進(jìn)行抗?fàn)帲罱K救走了同時(shí)被囚禁的其他猩猩，而且對它們都使用了Cure。一群高智商的猩猩與人類對立的戰(zhàn)爭就此拉開。本片獲得了第84屆奧斯卡最佳視覺效果的提名。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster