不貞的季節(jié)
人過中年的SM小說家黑崎悌造(大杉漣 飾)漸感才思枯竭,為了刺激創(chuàng)造力,完成轟動(dòng)一時(shí)的作品,他甚至要求弟子川田(村上淳 飾)和京子(山崎繪里 飾)在自家房里扮演SM角色,極盡官能之能。此法頗有成效,一段段充滿暖香肉欲的語句隨著黑崎的筆觸流淌開來。然而專注寫作的黑崎卻忽視了貌美幽怨的妻子靜子(星遙子 飾),久曠閨中的靜子與川田暗通款曲。偶然得知兩人不倫關(guān)系的黑崎嫉妒與憤怒心情交織,卻同時(shí)發(fā)現(xiàn)這是小說絕妙的素材。愧疚的川田在黑崎的要求下詳細(xì)講述了與靜子私通的全過程 改編自官能作家團(tuán)鬼六的同名小說。
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多諾萬的腦袋
劉·艾爾斯,吉恩·埃文斯,南茜·戴維斯,斯蒂夫·布羅狄變鬼2
Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·??怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里LAST MAN-全盲搜查官- FAKE/TRUTH
福山雅治,大泉洋,永瀨廉,今田美櫻,松尾諭,今井朋彥,奧智哉,木村多江,吉田羊,松本若菜,吉田鋼太郎,向井康二圣誕奇遇結(jié)良緣
林子祥,岑建勛,張曼玉,午馬,秦沛,廖啟智,徐錦江脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內(nèi)斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen Kelif同類推薦
神明2025
金圭麗,安閔尚尹智姬(金圭麗飾)從小自焚開始癡迷于巫術(shù)。在認(rèn)識(shí)到可以利用男人得到想要的東西的事實(shí)之后,她開始通過整容改變長(zhǎng)相,甚至偽造姓名、學(xué)歷、身份,過著完全不同的生活。在這種情況下,嘗到權(quán)力滋味的尹智姬終于陷入了要將大韓民國掌握在自己手中的野心之中,PD鄭賢洙(安內(nèi)相)和報(bào)道記者們?cè)谧粉櫻杆佘S升為大選候選人的檢察官出身的政治人物金碩一和她的過程中,對(duì)兩人之間可疑的連接環(huán)節(jié)產(chǎn)生了強(qiáng)烈的疑惑,但越是接近可怕的真相就越是危險(xiǎn)。。。。。。
對(duì)魚的布道
拉納·阿斯加洛娃,奧爾汗·依斯干達(dá)里,侯賽因·納西羅夫達(dá)武德從戰(zhàn)爭(zhēng)中歸來,發(fā)現(xiàn)他村里的每個(gè)人都死于一種奇怪的疾病并且已經(jīng)腐爛。 他的妹妹是唯一的幸存者,也正在慢慢腐爛。 達(dá)武德被他作為一名士兵的記憶所困擾,因?yàn)樗媾R著唯一真正的問題:生存和生活一樣嗎?
選擇之她·他
王馨婕,陳驍,馬浚揚(yáng),林未,梁瀟雁,陳庭尉,劉海燕一個(gè)選擇,兩種人生軌跡。她的故事,還是他的真相?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
數(shù)碼寶貝大電影五:冒險(xiǎn)者的戰(zhàn)斗
野澤雅子,津村真琴,多田葵,山口真弓,今井由香,折笠富美子,金田朋子,金光宣明,松谷彼哉,金子由之,永野愛,三石琴乃,小野健一,佐伯志,松尾銀三,津久井教生,坂本千夏,小杉十郎太快樂的暑假開始了,啟人(津村真琴 配音)為了掃墓來到了風(fēng)光秀麗的沖繩,在海邊,他和阿海(佐伯鵬 配音)一起救下了一位名為美波(三石琴乃 配音)的少女,后者遭到了數(shù)碼獸的攻擊,這些數(shù)碼獸的目標(biāo),似乎是美波所攜帶的一臺(tái)筆記本電腦,在電腦里究竟隱藏了怎樣的秘密?讓啟人感到意外的是,美波的遇險(xiǎn)催生了數(shù)碼寶貝石獅獸(津久井教生 配音)的誕生,它的使命為何? 啟人發(fā)現(xiàn),在風(fēng)靡全球的電子寵物V-Pet背后,隱藏著一個(gè)驚人的秘密,貪婪邪惡的曼法斯獸企圖通過虛擬的數(shù)碼獸摧毀人類世界,實(shí)現(xiàn)它建立數(shù)碼世界的野心。面對(duì)強(qiáng)大的對(duì)手,啟人和朋友們?cè)摵稳ズ螐模?/p>