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劇情簡介
影片講述了一個(gè)班上錯(cuò)綜復(fù)雜、浪漫激情的愛情故事。在海灘遇溺的Grace被俊郎的Gordon獲救后，隨即去學(xué)拯溺。班中的女子皆為惹火尤物，Gordon更搭上性感的Pamila。在Grace、Dawn和Eddie設(shè)計(jì)拆散Gordon和Pamila之際，暗戀Grace的Eddie卻與Dawn發(fā)生關(guān)系...如此錯(cuò)綜復(fù)雜的情愛關(guān)系會(huì)如何了結(jié)呢?
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一個(gè)女孩在被催眠下,講出了她身世的秘密,原來她的丈夫在結(jié)婚當(dāng)晚神秘消失,她多方尋找最后發(fā)現(xiàn)了丈夫身上的秘密,而她的丈夫竟變成了...
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster