花花公主

★ 3.1 播放：46萬 更新：2026-05-04

女孩發(fā)揮約為兩個階段的演員，羅賓格林斯潘和LaCie哈蒙，轉(zhuǎn)換為引線在一個浪漫的戲一個充滿活力，聰明，搞笑，和無情的愛情故事。這些婦女都配備了令人信服的理由，為什么他們彼此戀愛，根本就不是一個選項：羅賓生活與她的生活伴侶在一個明確定義的世界，充滿了后它提醒和保險政策，和LaCie最近來擁抱她的承諾恐懼癥完全。但是，當他們古怪的舞臺導演（由大教堂Deluise發(fā)揮到完美）堅持在排練，這兩個女人接連遇到一個激動人心而又脆弱的時刻，他們的化學反應(yīng)是沒有地方可去，但上升。 對于各種原因，這兩個不應(yīng)該談戀愛，但大家都知道這個故事是怎么回事。但我們不知道是什么新鮮的，意外的，和令人愉快的麻煩就會觸發(fā)，也不這些婦女是否確實會克服自己的障礙，使其 - 尤其是考慮到羅賓的恐怖的傷害和失望她的同居女友的單純的可能性。怕把她帶回到了恐懼充滿的時刻，導致她走出來，她的省級母親（由水貂披肩完美飾演） 。和LaCie攀附著她的獨立，她重溫她最近的尷尬難耐，恐怖秀式破碎與黛咪 - 半穩(wěn)定后。 故事的展開精美，混合敘事和直接地址旁白。因為寫作，表演，方向，和編輯是如此令人難以置信的輕巧，講故事和故事展示精美作品的這種混合方式。這讓我想起高保真的混合敘述，直接地址和倒敘的無縫的方式我。 水貂披肩和Dom Deloise可能已經(jīng)被盜了一部電影，羅賓格林斯潘和LaCie哈蒙沒有給出這樣的強大和有吸引力的表演。原諒還原好萊塢ESE這一分析，但羅賓 格林斯潘的熱鬧神經(jīng)質(zhì)的實用性是年輕伍迪 - 艾倫好，和LaCie哈蒙的熱鬧苦笑玩世不恭是年輕的布魯斯 - 威利斯性感！更重要的是，這兩個女主角也寫了電影。更重要的是比...這部電影是根據(jù)自己的真實的故事。什么是不愛！ ？ 　　

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劇情簡介

女孩發(fā)揮約為兩個階段的演員，羅賓格林斯潘和LaCie哈蒙，轉(zhuǎn)換為引線在一個浪漫的戲一個充滿活力，聰明，搞笑，和無情的愛情故事。這些婦女都配備了令人信服的理由，為什么他們彼此戀愛，根本就不是一個選項：羅賓生活與她的生活伴侶在一個明確定義的世界，充滿了后它提醒和保險政策，和LaCie最近來擁抱她的承諾恐懼癥完全。但是，當他們古怪的舞臺導演（由大教堂Deluise發(fā)揮到完美）堅持在排練，這兩個女人接連遇到一個激動人心而又脆弱的時刻，他們的化學反應(yīng)是沒有地方可去，但上升。 對于各種原因，這兩個不應(yīng)該談戀愛，但大家都知道這個故事是怎么回事。但我們不知道是什么新鮮的，意外的，和令人愉快的麻煩就會觸發(fā)，也不這些婦女是否確實會克服自己的障礙，使其 - 尤其是考慮到羅賓的恐怖的傷害和失望她的同居女友的單純的可能性。怕把她帶回到了恐懼充滿的時刻，導致她走出來，她的省級母親（由水貂披肩完美飾演） 。和LaCie攀附著她的獨立，她重溫她最近的尷尬難耐，恐怖秀式破碎與黛咪 - 半穩(wěn)定后。 故事的展開精美，混合敘事和直接地址旁白。因為寫作，表演，方向，和編輯是如此令人難以置信的輕巧，講故事和故事展示精美作品的這種混合方式。這讓我想起高保真的混合敘述，直接地址和倒敘的無縫的方式我。 水貂披肩和Dom Deloise可能已經(jīng)被盜了一部電影，羅賓格林斯潘和LaCie哈蒙沒有給出這樣的強大和有吸引力的表演。原諒還原好萊塢ESE這一分析，但羅賓 格林斯潘的熱鬧神經(jīng)質(zhì)的實用性是年輕伍迪 - 艾倫好，和LaCie哈蒙的熱鬧苦笑玩世不恭是年輕的布魯斯 - 威利斯性感！更重要的是，這兩個女主角也寫了電影。更重要的是比...這部電影是根據(jù)自己的真實的故事。什么是不愛！ ？ 　　

導演精選

圣誕寶寶

　　When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.

熊出沒·年年有熊

 熊大曾是森林里的“老大哥”，直到一個不速之客到來，它將自己神力傳給了熊強，熊大變成了三人組合內(nèi)能力最弱者。為了改變現(xiàn)狀，他步入了反派陷阱，引發(fā)了毀天滅地的危機......

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.