即刻觀影
劇情賞析
編輯推薦
筆仙大戰(zhàn)貞子2
奚美麗,云翔,朱婭,王宇凝,林奕婧《筆仙大戰(zhàn)貞子2》講述了美術(shù)學(xué)院學(xué)生夏柚（奚美麗飾），在與“姐妹團(tuán)”佩潔（朱婭飾）、小依（王宇凝飾）、雯雯（林奕婧飾）聚會(huì)時(shí)候玩起了通靈游戲，陰差陽(yáng)錯(cuò)之下招致了貞子的出現(xiàn)，伴隨而來(lái)的還有噩夢(mèng)和殺戮。被逼無(wú)奈之下，姐妹團(tuán)決定召喚筆仙，一場(chǎng)中日鬼王之間的惡戰(zhàn)再次掀起。
午夜微博
鄧紫衣,唐禹哲,杜娟,劉羽琦,洪一平,劉鵬夜深人靜，荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險(xiǎn)，并全程微博直播。他們?yōu)樽约旱臒o(wú)知和膽大妄為付出巨大代價(jià)，最終一死一瘋，另外兩人昏迷不醒，還有一人下落不明。美麗女記者蕭薇（鄧紫衣 飾）的妹妹霈霈及其朋友子妍正是這場(chǎng)意外的受害者，從醫(yī)生口中得知，妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康（唐禹哲 飾）調(diào)查后發(fā)現(xiàn)，霈霈她們前幾日都曾被某神秘微博帳戶@，之后在她們微博中便各自出現(xiàn)一個(gè)倒計(jì)時(shí)的畫面，而業(yè)已歸零的正是當(dāng)前的死者子妍?！ 〗^不相信鬼神傳說(shuō)的蕭薇，決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查，恐怖真相慢慢浮出水面……
蟲(chóng)2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細(xì)川佳央,橋野純平,中山求一郎柾木在大學(xué)好友池內(nèi)的邀請(qǐng)下去觀看舞臺(tái)劇，并被登臺(tái)表演的芙蓉所吸引。然而，他逐漸開(kāi)始懷疑芙蓉與池內(nèi)之間的關(guān)系。于是柾木與一個(gè)對(duì)芙蓉心懷厭惡的神秘女子小林合作…… 影片根據(jù)江戶川亂步的同名中篇小說(shuō)改編。
從前有位國(guó)王
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冬脊
馬特·霍金斯,奧爾雯·凱瑟琳·凱莉,漢娜·沃丁厄姆一名年輕的偵探在他的妻子昏迷不醒的同時(shí)還在追捕一個(gè)連環(huán)殺手后被撕裂。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.