好色成癮

? 5.7 播放:21萬 2026-05-05

Ruby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. In a snowy park, Ruby meets Opala, another young woman who takes her back to her large and posh country house where both women indulge in more drugs and sex with one another. When Opala leaves for work, and to score more drugs, Ruby, left alone, becomes more crazy and desperate and falls deeper into her addiction by contacting a stripper co-worker to score more dope. Meanwhile, the drug dealer O-Rock, finding that Ruby has stolen his secret stash of dope, arms himself with a knife and some deadly narcotics, and goes out seeking payback... with interest.

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劇情提要

Ruby is a young part-time stripper who wallows in drugs, sex and other excesses in meaningless existence. After meeting with local drug dealer O-Rock in her apartment, she seduces him, takes his drug stash, and splits. In a snowy park, Ruby meets Opala, another young woman who takes her back to her large and posh country house where both women indulge in more drugs and sex with one another. When Opala leaves for work, and to score more drugs, Ruby, left alone, becomes more crazy and desperate and falls deeper into her addiction by contacting a stripper co-worker to score more dope. Meanwhile, the drug dealer O-Rock, finding that Ruby has stolen his secret stash of dope, arms himself with a knife and some deadly narcotics, and goes out seeking payback... with interest.

幕后花絮

鋼鐵少女

  セクシー女優(yōu)の明日花キララが主演するアクション。無法者の集団「クレイジードッグス」が支配する村に、人間の身體能力を超越した力を発揮する特殊な強(qiáng)化スーツに身を包んだ美女「アイアンガール」が現(xiàn)れる。アイアンガールは失った過去の記憶を探して旅しており、村の古文書には「鉄の救世主が村の危機(jī)を救う」と記されていた。アイアンガールを伝説の存在と信じた村人たちは、クレイジードッグスと戦うため立ち上がるが、その戦いの中で意外な真実が明らかになる。音楽を人気バンド「CASCADE」のMASASHIが擔(dān)當(dāng)。

瑪?shù)铝盏默數(shù)铝?/h3>

  《瑪?shù)铝盏默數(shù)铝铡肥敲绹畬?dǎo)演約瑟芬·戴克最新的一部作品。這部電影講述了一個(gè)戲劇導(dǎo)演,在創(chuàng)作她最近的作品時(shí)所產(chǎn)生的故事。這也是約瑟芬·戴克的第14部作品。作品中的角色和她本人頗為相似,同樣作為導(dǎo)演的她,也是一名演員。戴克以往的作品,總是帶著一定程度上的形式化的美感,也顯露著女性特有的細(xì)膩。在她的作品中,鏡頭更像是一雙可以無限接近角色人物的眼睛,時(shí)刻捕捉著主觀視角下的人物的行動(dòng)和當(dāng)時(shí)的情內(nèi)心狀態(tài)。