劇情簡(jiǎn)介
這是一部關(guān)于道德、教育和性解放的偽紀(jì)錄片電影，它有可能和應(yīng)該用來(lái)作為培訓(xùn)工具和任何人有興趣在孩子出生的奇跡，看到的最令人驚訝的生育順序。這非常有見(jiàn)地的電影應(yīng)該顯示在學(xué)校的性教育課程國(guó)際連同已經(jīng)被呈現(xiàn)在這個(gè)論壇的材料，并與各地必須看到的人認(rèn)為不夠成熟。這是一個(gè)偉大的介紹各個(gè)相關(guān)方面在性舞臺(tái)
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鳴槍警告
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半身死靈2
巖田小百合,仲村美羽,長(zhǎng)宗我部陽(yáng)子,松島初音,真知里沙,山本彩乃,朝倉(cāng)蜜柑,安藤成子,水木薫,川上洋一郎,大島優(yōu)子經(jīng)歷了最可怕的一段過(guò)去，可奈（大島優(yōu)子 飾）已經(jīng)精神接近崩潰，殘酷命運(yùn)的安排，讓她最終也無(wú)法逃脫半身死靈“嗒卡嗒卡”的獵殺。路過(guò)事故現(xiàn)場(chǎng)的水谷菜月和中島玲子是就讀同一所高中同一班級(jí)的好友，她們的學(xué)校即將舉行文化祭。擔(dān)任文化祭委員的玲子無(wú)意中觸怒了班內(nèi)小集團(tuán)的頭頭刀根繪梨香，由此遭受了無(wú)休無(wú)止的孤立和欺凌。菜月看在眼里，卻不敢組織，只能隨波逐流。終于有一天，再也無(wú)法忍受的玲子將希望寄托在半身死靈身上，她將與繪梨香親近的同學(xué)相繼騙到人行天橋，目睹她們被獵殺的殘忍一幕。 菜月終于發(fā)現(xiàn)了好友的秘密，她嘗試阻止，并且了解到半身死靈的背景和不為人知的過(guò)去，可是為時(shí)已晚……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達(dá)·沃倫,斯坦·德米多夫,盧克·愛(ài)德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦Saban Films拿下方·基默、帕特里克·約翰·弗魯格(《芝加哥警署》)主演影片[公寓管理員](The Super，暫譯)北美發(fā)行權(quán)。導(dǎo)演施特凡·里克([月之陰面])，編劇約翰·J·麥克勞克林([黑天鵝])，故事圍繞一位公寓管理員調(diào)查紐約一棟豪華公寓住客失蹤案展開(kāi)。迪克·沃爾夫(《法律與秩序》)擔(dān)任制片。
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怪物2023
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守護(hù)惡魔
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