聊齋荷花三娘子

? 8.7 播放：29萬 2026-05-04

聊齋世界，千奇百怪，談狐說怪，詼諧感慨。　《花姑子》 　公子安幼興面慈心善，喜歡放生，救了花姑子之母老香獐。一日，安生在林中迷路，陷入蛇精圈套，被吸干了血。棄尸荒野?；ü米託⑺郎呔?，想盡辦法救活了安生，安生復(fù)活后，感激萬分，請(qǐng)求與花姑子共同生活，無奈，花姑子雖有意于他，但終因不是同類，花姑子只能割愛離舍，含淚決別。 　《荷花三娘子》 　塾館先生宗湘若酷愛荷花，被荷花三娘子弄得神魂顛倒。洞房燭夜，竟錯(cuò)與修煉成精的狐女同床。游方和尚咒符將狐精吸入壇內(nèi)，宗湘若初情將其放生。狐女為報(bào)恩捨身指點(diǎn)宗湘若找到荷花三娘子。宗湘若感懷依戀，和荷花三娘子奔赴游方和尚洞寺，擔(dān)保狐女，救放異類。怪哉！人、獸、仙居然也能共處相好。 　　

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劇情提要

聊齋世界，千奇百怪，談狐說怪，詼諧感慨。　《花姑子》 　公子安幼興面慈心善，喜歡放生，救了花姑子之母老香獐。一日，安生在林中迷路，陷入蛇精圈套，被吸干了血。棄尸荒野?；ü米託⑺郎呔?，想盡辦法救活了安生，安生復(fù)活后，感激萬分，請(qǐng)求與花姑子共同生活，無奈，花姑子雖有意于他，但終因不是同類，花姑子只能割愛離舍，含淚決別。 　《荷花三娘子》 　塾館先生宗湘若酷愛荷花，被荷花三娘子弄得神魂顛倒。洞房燭夜，竟錯(cuò)與修煉成精的狐女同床。游方和尚咒符將狐精吸入壇內(nèi)，宗湘若初情將其放生。狐女為報(bào)恩捨身指點(diǎn)宗湘若找到荷花三娘子。宗湘若感懷依戀，和荷花三娘子奔赴游方和尚洞寺，擔(dān)保狐女，救放異類。怪哉！人、獸、仙居然也能共處相好。 　　

幕后花絮

天啟Z：完結(jié)的起點(diǎn)

　　一種類似狂犬病的疾病在全球傳播開來，將感染者變成極具攻擊性的生物。馬內(nèi)爾帶著他的貓躲在家中，憑借他的智慧生存下來。很快，他們將不得不外出覓食，尋找陸地和海上的安全之所?！短靻：完結(jié)的起點(diǎn)》是一個(gè)身體和情感上的生存故事，伴隨著刺激的打斗、緊張的氣氛、瘋狂的感染......以及一只脾氣暴躁的貓。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.