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致命玩笑3
克麗斯滕·齊恩,本·霍靈斯沃斯,迪恩·阿姆斯特朗,肯·科齊格 Ken Kirzinger,Jesse Hutch,薩拉米切深度安靜
張孝全,林依晨,金士杰,丁寧,陳季霞,馬志翔,蔡亙晏,孟克柔誓不遺忘
帕斯·貝加,西蒙·貝克,肯·戴維蒂安,科洛·莫瑞茲辣手警花
桑德拉·布洛克,梅麗莎·麥卡西,德米安·比齊爾,馬龍·韋恩斯,邁克爾·拉帕波特,斯波肯·瑞恩斯,邁克爾·麥克唐納,丹·巴克達(dá)爾,比爾·伯爾,杰西卡·查芬,內(nèi)森·科德里,塔蘭·基拉姆,簡·庫丁旺姆的夏天
旺卓措,久巴,卓杰澤仁,澤王拉姆,落周求吉尼瑪哈姆奈特
杰西·巴克利,保羅·麥斯卡,喬·阿爾文,艾米麗·沃森,諾亞·尤佩,雅各比·尤佩,大衛(wèi)·威爾莫特,弗蕾婭·漢南-米爾斯,薩姆·伍爾夫,勞拉·蓋斯特,奧利維婭·萊恩斯,博德希·蕾·布里納希,菲絲·德拉尼,杰克·沙魯,艾略特·巴克斯特,扎克·威沙特,赫拉·吉布森,伊娃·威莎特同類推薦
北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達(dá)什·米霍克Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.
草莓月亮
當(dāng)真亞美,齋藤潤,杉野遙亮,中條彩未,中山裕介,田中麗奈,池端杏慈,黑崎煌代,吉澤要人,伊藤健太郎,泉澤祐希,池津祥子,橋本潤,黑島結(jié)菜本片改編自同名小說。櫻井萌(當(dāng)真亞美 飾)從小體弱多病,無法上學(xué),也沒有朋友,每天獨(dú)自度過時(shí)光。她一直有一個(gè)小小的夢想——在自己生日那天,與喜歡的人一起觀賞據(jù)說能讓戀人永遠(yuǎn)相守的六月滿月“草莓月亮”。然而,15歲那年冬天,她被告知生命所剩無幾。 從醫(yī)院回家的路上,萌邂逅了命中注定的人,并下定決心進(jìn)入高中就讀。入學(xué)典禮當(dāng)天,她在初次見面的情況下,向同班同學(xué)佐藤日向(齋藤潤 飾)突然告白,人生第一次戀愛就此開始。終于到了共賞草莓月亮的那一天,但從那天起,萌突然從學(xué)校消失,日向再也無法聯(lián)系上她。而萌離開的真相,以及13年后傳來的秘密究竟是什么…
我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes父親神秘死亡后,年輕的阿米什女子艾瑪想要體驗(yàn)一些不同的東西,于是,她背著母親瑪麗,在朋友麗貝卡的幫助下,逃到英國世界去參加朗姆酒聚會。在那里,她遇到了白馬王子希思,他讓她愛不釋手。但她與他的夢幻約會被打斷了,因?yàn)樗蚓o急工作被叫到另一座城市。莎拉獨(dú)自留在家里體驗(yàn)現(xiàn)代世界的所有便利設(shè)施,她的生活很快變成了一場噩夢,她在廚房發(fā)現(xiàn)了一具尸體,不久之后,被一個(gè)神秘人物打昏。恢復(fù)意識后,她決定逃回阿米什人的生活并躲起來,但是當(dāng)偵探敲門詢問時(shí),她意識到她必須自己尋找兇手。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
六號關(guān)口
凱特·波茨沃斯,托馬斯·克萊舒曼,盧錫安·拉維斯科特,馬丁·麥凱恩After serving two years on a military outpost in the middle of an ocean – four soldiers are waiting for a new crew to replace them. When the long-awaited boat finally appears, it’s empty with no relief on board. When trying to find out what happened to the boat and the missing crew, they realize they’ve lost all communications with home. Cut off from the rest of the world and no one coming to get them, Baines, Sullivan, Cassidy and Hendryx must fight with suspicions about each other and find a new way to get home. If home still exists.