即刻觀影
劇情賞析
編輯推薦
暗黑新娘！
杰西·巴克利,克里斯蒂安·貝爾,彼得·薩斯加德,安妮特·貝寧,杰克·吉倫哈爾,佩內(nèi)洛普·克魯茲,約翰·馬加羅,珍妮·柏林,路易斯·坎瑟米,馬修·馬希爾,朱莉安·浩夫,威廉·希爾,斯蒂芬妮·特洛亞克,馬西爾·摩丹,馬科·查卡,莉迪亞·凱莉,索菲婭·科,本·格林,伊蓮·阿普魯澤西,安東尼·貝里尼孤獨(dú)的科學(xué)怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來(lái)到了1930年代的芝加哥，懇請(qǐng)頂級(jí)科學(xué)家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創(chuàng)造”的命運(yùn)？在暗黑混沌的逃亡路上，一場(chǎng)女性覺醒風(fēng)暴開始席卷整個(gè)世界。
假裝熱情
鄭在泳,樸寶英,吳達(dá)洙,卓在勛,柳賢靜,柳德煥,陳慶,尹均相《職場(chǎng)大翻身》改編自李慧林的同名小說(shuō)，曾執(zhí)導(dǎo)過(guò)《創(chuàng)可貼》的導(dǎo)演鄭基勛親自改寫了劇本并執(zhí)導(dǎo)，聯(lián)同演技級(jí)人馬演員鄭在泳、新生代人氣女星樸寶英、老戲骨吳達(dá)秀、裴成宇、柳德煥等實(shí)力派連袂主演。電影講述一名體育報(bào)社演藝部記者在采訪現(xiàn)場(chǎng)孤軍奮戰(zhàn)的成長(zhǎng)故事。電影中樸寶英飾演的新人實(shí)習(xí)記者「杜麗熙」在報(bào)道娛樂事件的過(guò)程中卷入新聞的漩渦而逐漸鍛煉成長(zhǎng)。鄭在泳飾演的是樸寶英的上級(jí)「河在觀」，是娛樂部的「定時(shí)炮彈」不知道何時(shí)就會(huì)「爆炸」，兩人會(huì)有怎樣的合作火花也令影迷非常期待?！ 《披愇酰銓氂棧┦巧鐣?huì)新鮮人的代表，為了在戰(zhàn)場(chǎng)一樣的職場(chǎng)中生存下來(lái)而絞盡腦汁費(fèi)勁心理，然而卻因?yàn)闆]有經(jīng)驗(yàn)而屢屢闖禍。她夢(mèng)想著成為成功職場(chǎng)女性，高喊著有熱情就有一切的口號(hào)，然而現(xiàn)實(shí)卻是手里的每件事都搞砸。杜麗熙作為見習(xí)記者開始了工作，本以為只要進(jìn)了公司人生就會(huì)變得一帆風(fēng)順，但她卻遇到了像“定時(shí)炸彈”一樣的上司（鄭在泳飾），第一天上班就被安排出去外采，什么都不懂的她只能跌跌撞撞地自己摸索，而意料之外的種種困難讓她想到辭職。
黑蜥蜴1962
京町子,大木實(shí),川口浩,葉順子,三島雅夫,目黒幸子,中條靜夫,久里千春亂步作品
一起過(guò)家家
宋木子,蔣詩(shī)萌,合文俊,夏甄,葉泉希,李飛,陳璽旭,楊九郎,衣云鶴,馬旭東,李曼,土豆妻子鮑一萌是頭部帶貨主播，丈夫宋李是全職丈夫，弟弟鮑鵬在復(fù)讀備戰(zhàn)高考。一天，三人意外發(fā)現(xiàn)互換身體。全家的靈魂與身體分別錯(cuò)位。全職丈夫宋李（小舅子身）重回學(xué)校，懷念青春中彈琵琶的夢(mèng)想，但繁重的學(xué)習(xí)生活，讓他感到力不從心。復(fù)讀生小舅子鮑鵬（妻子身）不懂管理公司，并在直播時(shí)狀況百出，女神小靜的奮斗讓他慚愧。主播鮑一萌（丈夫身）在輔導(dǎo)女兒的生活中發(fā)現(xiàn)，做家務(wù)和帶娃并不簡(jiǎn)單。相比之下，丈夫開明的教育方式仿佛讓女兒的成長(zhǎng)更美好。一家人決定支持宋李（小舅子身）重拾琵琶參與音樂比賽。深夜，宋李三人被關(guān)在冷藏車內(nèi)被凍得奄奄一息。他們終于換回來(lái)了！一家人的生活重新回到正軌，和諧美滿。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
電影版淘氣小企鵝啵樂樂甜蜜城堡大冒險(xiǎn)
Su Jung Ham,Lee Sun-kyun,李美子...