印象雷諾瓦

★ 2.4 播放:89萬 更新:2026-05-05

1915年,年邁的法國印象派大師雷諾瓦遭逢愛妻逝世、飽受關(guān)節(jié)炎之苦,他的兒子尚雷諾(日后成為法國大導(dǎo)演)更在服役中受傷,讓他身心飽受折磨。當年輕貌美的模特兒安蝶降臨到雷諾瓦的生活后,讓他綻放前所未有的創(chuàng)作能量。 然而回到蔚藍海岸休養(yǎng)的尚雷諾,不顧雷諾瓦的反對愛上安蝶,父子關(guān)系一觸即發(fā)!面對無止無盡的苦痛折磨,雷諾瓦繼續(xù)坐在特制的輪椅上,將變形的手用繃帶纏上畫筆,把苦澀轉(zhuǎn)化成繽紛愉悅的色彩,為世人留下一幅幅永不磨滅的動人光影。   

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劇情簡介

1915年,年邁的法國印象派大師雷諾瓦遭逢愛妻逝世、飽受關(guān)節(jié)炎之苦,他的兒子尚雷諾(日后成為法國大導(dǎo)演)更在服役中受傷,讓他身心飽受折磨。當年輕貌美的模特兒安蝶降臨到雷諾瓦的生活后,讓他綻放前所未有的創(chuàng)作能量。 然而回到蔚藍海岸休養(yǎng)的尚雷諾,不顧雷諾瓦的反對愛上安蝶,父子關(guān)系一觸即發(fā)!面對無止無盡的苦痛折磨,雷諾瓦繼續(xù)坐在特制的輪椅上,將變形的手用繃帶纏上畫筆,把苦澀轉(zhuǎn)化成繽紛愉悅的色彩,為世人留下一幅幅永不磨滅的動人光影。   

導(dǎo)演精選

赤腳大仙

  

大明嬪妃之選秀

  皇太子爭選太子妃,蘭心本有所愛,卻不得不進到太子府,因為才華出眾,深得皇太子和紀淑妃的喜愛,蘭心被嫉妒和排擠,在太子府里受盡磨難!  其實一切陰謀都是秀女姚芊芊設(shè)計的,姚芊芊是萬貴妃的人,自己參選秀女就是為了接近太子,協(xié)助萬貴妃鏟除太子,雖然她心中也另有所愛,但不得不去爭選太子妃,鏟除一切阻礙自己當上太子妃的秀女?! ∫奋废莺μm心通奸,差點害的蘭心被賜死,關(guān)鍵時刻蘭心被梅兒所救。幾日后公布太子妃人選之時,紀淑妃為了顧全大局,還是讓姚芊芊當上了太子妃,姚芊芊十分痛苦內(nèi)心掙扎,蘭心、梅兒、金碧瑤當上側(cè)妃,大家各懷念想……。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.